Artist of the Week: Julie Fuchs

This week the Rossini Opera Festival is set to open with one of the composer’s most beloved comedies, “Le Comte Ory.” In recent years the opera has had a {…}

Opera Meets Film: How Straub & Huillet’s ‘Moses und Aron’ Leaves Us to Our Own Interpretative Devices

Despite Arnold Schoenberg’s (1874-1951) widespread popularity as one of the most important ‘fathers of serialism’ and the person almost solely responsible for ushering in the age of dodecaphony (12-tone technique), his four operas are largely unknown. Despite this, it was Schoenberg’s fourth opera, “Moses und Aron,” which would transform opera forever. No longer constricted by the indulgent attitudes of Italian {…}

Artist of the Week: Gregory Spears

This week the Cincinnati Opera will make history with the world of “Castor and Patience.” The opera tells the story of a long overdue family reunion which finds two {…}

Artist of the Week: Konu Kim

On June 14, the San Francisco Opera will revive its production “Dream of the Red Chamber” with an acclaimed cast including rising Korean star Konu Kim. The tenor first {…}

Opera Meets Film: How Andrzej Żuławski’s ‘Boris Godunov’ Shows Past as Prologue

In January 1989, the Polish film director Andrzej Żuławski released his film “Boris Godunov,” a film that cost seven million dollars to create. It featured a live production of the monster opera conducted by the eminent Soviet cellist and conductor, Mstislav Rostropovich. The film would re-conceptualize the opera in a mise en abyme (self-reflection) style, layering the operatic performance inside {…}