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Opera Meets Film

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All Special FeaturesArtist of the WeekOn This DayOpera Meets Film
Mar 15, 2018

Opera Meets Film: ‘Ombra Mai Fu’ As a Call For Respect in ‘A Fantastic Woman’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment we will take a {…}

Mar 8, 2018

Opera Meets Film: How Joseph Calleja’s Caruso Moment Colors The Entire Theme of ‘The Immigrant’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment we will take a {…}

Mar 1, 2018

Opera Meets Film: 7 Oscar-Nominated Films That Inspired Operas Part 2

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment we will go through {…}

Feb 22, 2018

Opera Meets Film: Three Oscar Nominated Films That Inspired Operas Part 1

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment we will go through {…}

Feb 15, 2018

Opera Meets Film: The Brief Use of the ‘Lakmé’ Duet in ‘The Dressmaker’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment takes a look Jocelyn {…}

Feb 8, 2018

Opera Meets Film: Harvey Milk As a 20th Century ‘Tosca’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment takes a look at {…}

Feb 1, 2018

Opera Meets Film: Verdi’s Requiem As Camp in ‘Django Unchained’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment returns to Quentin Tarantino’s {…}

Jan 25, 2018

Opera Meets Film: Renée Fleming’s Appearance in ‘Three Billboards Outside Ebbing, Missouri’ More Than Meets the Eye

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment puts a highlight on {…}

Jan 18, 2018

Opera Meets Film: Opera As Character in Jonathan Demme’s ‘Philadelphia’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment returns to  Jonathan Demme’s {…}

Jan 11, 2018

Opera Meets Film: Puccini’s ‘La Bohème’ As a Psychological Barometer in ‘Moonstruck’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment will showcase Norman Jewison’s {…}

Jan 4, 2018

Opera Meets Film: The Common Humanity of Ingmar Bergman’s ‘The Magic Flute’

“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment will showcase Ingmar Bergman’s {…}

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