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News

Francesco Meli, Lidia Fridman, Marina Monzò & Luca Salsi Lead Teatro La Fenice’s 2024-25 Season

https://operawire.com/francesco-meli-lidia-fridman-marina-monzo-luca-salsi-lead-teatro-la-fenices-2024-25-season/

The Teatro La Fenice has announced its 2024-25 season. Opera Myung-Whun Chung conducts Verdi’s “Otello” in a new production by Fabio Ceresa. Francesco Meli sings the title role in a cast that also stars Francesca Dotto and Luca Micheletti. Performance Dates: Nov. 20-Dec. 1, 2024 Marina Monzò, Francesco Demuro, and Nicola Alaimo star in Verdi’s “La Traviata.” Diego Matheuz conducts. Performance {…}

Reviews, Stage Reviews

Teatro La Fenice 2024 Review: Don Giovanni

https://operawire.com/teatro-la-fenice-2024-review-don-giovanni/

(Photo credit: Michele Crosera) Having seen more versions of “Don Giovanni” than there are sands on the beach, I can attest that the greatness of the opera is seldom undermined by a less than optimum staging. However, when the staging is good—or even great—, one feels that there is no better opera than “Don Giovanni.” The revival of Damiano Michieletto’s {…}

News

Royal Opera House Muscat & Teatro La Fenice Initiate New Collaborations

https://operawire.com/royal-opera-house-muscat-teatro-la-fenice-initiate-new-collaborations/

The Royal Opera House Muscat and Teatro La Fenice have met to discuss future collaborations. On a recent visit to Teatro La Fenice his Highness Sayyid Dr. Kamil Fahad Al Said, the Secretary General in the General Secretariat for the Council of Ministers and Member of the Board of Directors of Royal Opera House Muscat met with Fortunato Ortombina, General {…}

Reviews, Stage Reviews

Teatro La Fenice Review 2024: Mefistofele

https://operawire.com/teatro-la-fenice-review-2024-mefistofele/

After leaving the premiere of La Fenice’s production of “Mefistofele,” I dried two little tears from my eyes and, in a burst of emotion, was possessed by one thought: how underrated Boito is. Usually relegated merely to the place of the fanciest of Verdi’s librettists, Boito was much more. His works extend from a few musical pieces to many (untranslated {…}

Reviews, Stage Reviews

Teatro La Fenice 2024 Review: Verdi’s ‘Requiem’

https://operawire.com/teatro-la-fenice-2024-review-verdis-requiem/

I will never die. But when if I do—certainly after 2300—, I want to be mourned with Verdi’s “Requiem.” No discussion. Few musical moments are more rewarding than the first tenor “Kyrie,” breaking into the orchestral mass, abashing any feelings that are not of heroic repentance. I simply love it. However, such strong personal preference creates rigid expectations of how {…}

Reviews, Stage Reviews

Teatro La Fenice 2024 Review: Maria Egiziaca

https://operawire.com/teatro-la-fenice-2024-review-maria-egiziaca/

Photo: Roberto Moro Sometimes, opera programming can be extremely original, providing us with unexpected titles. That was the case with La Fenice/Maria Malibran’s “Maria Egiziaca,” Otto Respighi’s eclectic and sensuous opera. Especially when hearing lesser-performed titles, it is very hard to define what to expect musically. While in classic and baroque operas, there is a certain inner grammar of the {…}

News

Francesca Dotto Leads ‘Maria Egiziaca’ at the Teatro La Fenice

https://operawire.com/francesca-dotto-leads-maria-egiziaca-at-the-teatro-la-fenice/

The Teatro Mailbran is set to present Respighi’s “Maria Egiziaca.” The opera, which is presented as part of the Teatro La Fenice’s 2023-24 season will open on March 8 and run through March 16, 2024. The production will be by Pier Luigi Pizzi and will be conducted by Manlio Benzi. Francesca Dotto leads a cast that includes Vincenzo Costanzo, Simone {…}

Reviews, Stage Reviews

Teatro La Fenice 2024 Review: Mozart’s ‘Requiem’

https://operawire.com/teatro-la-fenice-2024-review-mozarts-requiem/

Each music-lover has their “Requiem” of choice. The Heroic will want to be mourned under Verdi’s; tender souls feel represented by the ethereal melodies of Brahms or Fauré. But, it is safe to say that nine of ten music-lovers prefer Mozart’s unfinished “Requiem.” More than a masterpiece, it is arguably the most gracious sacred work in the classical repertoire. However, {…}