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Reviews, Stage Reviews


Opéra Comique Paris 2025-26 Review: Werther

https://operawire.com/opera-comique-paris-2026-review-werther/

(Photo: Jean-Louis Fernandez) I first heard Samoan tenor Pene Pati a year ago in Munich in “La bohème,” an opera I’ve seen so often that I make every effort to avoid it. But this time was different; I was completely disarmed by this beautiful lyric tenor’s voice, his charm and his authenticity. Endowed with brilliant high notes, a beautiful timbre, {…}
News, Season Announcement

Michael Spyres, Pene Pati, Sabine Devieilhe, Étienne Dupuis & Stéphane Degout Lead Opera Comique’s 2025-26 Season

https://operawire.com/michael-spyres-pene-pati-sabine-devieilhe-etienne-dupuis-stephane-degout-lead-opera-comiques-2025-26-season/

Opera Comique has announced its 2025-26 season. Opera  The season opens with Offenbach’s “Les Contes d’Hoffmann” with Michael Spyres, Héloïse Mas, Amina Edris, and Jean-Sébastien Bou. Pierre Dumoussaud conducts the production by Lotte De Beer. Performance Dates: Sept. 25-Oct. 5, 2025 Gluck’s “Iphigénie en Tauride” will star Tamara Bounazou, Theo Hoffman, Philippe Talbot, Jean-Fernand Setti, Léontine Maridat-Zimmerlin, Fanny Soyer, and Lysandre Châlon. Louis {…}
News

Joyce El-Khoury, Lea Desandre, Anne-Catherine Gillet & Jarrett Ott Lead Opéra Comique’s 2024-25 Season

https://operawire.com/joyce-el-khoury-lea-desandre-anne-catherine-gillet-jarrett-ott-lead-opera-comiques-2024-25-season/

Opéra Comique has announced its schedule for the 2024-25 season. Auber’s “Le Domino noir” is set to be conducted by Louis Langrée and will be directed by Valérie Lesort and Christian Hecq. The cast includes Anne-Catherine Gillet, Cyrille Dubois, and Victoire Bunel. Performance Date: Sept. 20-28, 2024 George Benjamin & Martin Crimp’s “Picture a Day Like This” is set to {…}
Reviews, Stage Reviews

Opéra Comique 2023-24 Review: Winterreise

https://operawire.com/opera-comique-2023-24-review-winterreise/

(Photo: DR Rideau de fer) In theory, few programs are more proper for a Valentine’s Day that falls on Ash Wednesday than “Winterreise” in Opéra Comique. The romantic idealism of Valentine’s Day blends well with the bitter aftermath of carnival when all pleasures must be delayed for Lent. After a long run singing a scenic and orchestral version of Schubert’s {…}
News

Opéra Comique Announces Cast Change for ‘Macbeth Underworld’

https://operawire.com/opera-comique-announces-cast-change-for-macbeth-underworld/

The Opéra Comique has announced a cast change for its production of “Macbeth Underworld.” The company said that Jean-Sébastien Bou, who was initially planned in the role of Macbeth, will not be able to take part in the production for health reasons. As a result, Jarrett Ott will take over the role. Ott has previously performed with the Opéra Comique in {…}
Reviews, Stage Reviews

Opéra Comique 2022-23 Review: Carmen

https://operawire.com/opera-comique-2022-23-review-carmen/

Conductor Louis Langrée once explained the ‘Opéra-Comique’ in these terms: “The Opéra-Comique comes from fairground theater, which is its strength.” Looking at the company’s many successes in bringing great operas into its repertoire—“Pelléas etMélisande,” “Mignon,” “Manon Lescaut”—, it seems that Langrée is right. “Carmen,” however, would at first appear to be a bit different. It is, by far, the most {…}
News

Véronique Gens, Katarina Bradić, Gaëlle Arquez, Stéphane Degout, Ambroisine Bré Headline Opéra Comique’s 2023-24 Season

https://operawire.com/veronique-gens-katarina-bradic-gaelle-arquez-stephane-degout-ambroisine-bre-headline-opera-comiques-2023-24-season/

The Opéra Comique has announced its 2023-24 season. First up is Charles Lecocq’s “La Fille de Angot.” Hervé Niquet will conduct a production by Richard Brunel. The opera will star Hélène Guilmette, Véronique Gens, Pierre Derhet, Julien Behr, Matthieu Lécroart, and Geoffrey Carey. Performance Dates: Sept. 27 – Oct. 5, 2023 For “Macbeth Underworld,” audiences will see Franck Ollu conduct {…}
Reviews, Stage Reviews

Opéra Comique 2023 Review: L’Inondation

https://operawire.com/opera-comique-2023-review-linondation-filidei/

An opera composer, regardless of their era, always has to address the question, “Why opera?” The answer must come from the opera itself.  Francesco Filidei and Joël Pommerat’s “L’Inondation” tell us their “whys.” Opera, though deemed an anachronic format, brings back this lyrical rhetoric tradition to recover an overpowering form of sensibility. “L’Inondation,” was based on Yevgeny Zamyatin’s novella “Navodneniye (The Flood),” which tells {…}

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