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Anna Netrebko, Lise Davidsen, Sonya Yoncheva, Elīna Garanča, Juan Diego Flórez, Jonas Kaufmann, Asmik Grigorian & Ludovic Tézier Lead Wiener Staatsoper’s 2024-25 Season

https://operawire.com/anna-netrebko-lise-davidsen-sonya-yoncheva-elina-garanca-juan-diego-florez-jonas-kaufmann-asmik-grigorian-ludovic-tezier-lead-wiener-staatsopers-2024-25-season/

The Wiener Staatsoper has announced its 2024-25 season. Premieres Philippe Jordan conducts Verdi’s “Don Carlo” in a new production by Kirill Serebrennikov. The production stars Asmik Grigorian, Roberto Tagliavini, Joshua Guerrero, Étienne Dupuis, Eve-Maud Hubeaux, and Dmitry Ulyanov. The second cast will include Nicole Car, Elīna Garanča, and Vitalij Kowaljow. Performance Dates: Sept. 26, 2024-March 23, 2025 György Kurtág’s “Fin {…}

Reviews, Stage Reviews

Glyndebourne Opera Festival 2023-24 Review: Don Giovanni

https://operawire.com/glyndebourne-opera-festival-2023-24-review-don-giovanni/

© Glyndebourne Productions Ltd. Photo: Richard Hubert Smith Trigger warning: Mozart aficionados, look away now. One might think Wolfgang Amadeus to be somewhat overrated, and the fact that he was hugely prolific, widely acknowledged to be a prodigy and is almost globally asserted to have been a genius, does little by way of endearing his music to my ear. I {…}

Reviews, Stage Reviews

Innsbruck 2022-23 Review: Boris Godunov

https://operawire.com/innsbruck-2022-23-review-boris-godunov/

(Photo: Birgit Gufler) As many countries around the world lose contact with their national histories, Russia still allows its long tentacles to press forward into the present. Its distinctive institutions, including the political and the religious, as well as its artistic, musical, literary and traditional folk cultures have, deliberately or otherwise, maintained close connections with their historical roots, making them {…}

Reviews, Stage Reviews

Glyndebourne Festival Opera Review 2022: La Bohème

https://operawire.com/glyndebourne-festival-opera-review-2022-la-boheme/

Photo credit: © Glyndebourne Productions Ltd. “La bohème”, as the archetypal verismo opera, tends to resist stagings that take it much beyond the confines of nineteenth-century Paris, and indeed non-naturalistic approaches to the work. (Audiences tend to resist them too.) The two most successful in London recently have been John Copley’s recently retired version at the Royal Opera House – {…}