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News

Anna Netrebko, Juan Diego Flórez, Diana Damrau, Lise Davidsen, René Pape & Rachel Willis-Sørensen Lead Staatsoper Unter Den Linden’s 2024-25 Season

https://operawire.com/anna-netrebko-juan-diego-florez-diana-damrau-lise-davidsen-rene-pape-rachel-willis-sorensen-lead-staatsoper-unter-den-lindens-2024-25-season/

The Staatsoper Unter den Linden has announced its 2024-25 season. Premieres Luca Salsi and Anna Netrebko team up for Verdi’s “Nabucco.” Ivan Magrì, Marina Prudenskaya, and René Pape join them. Anastasia Bartoli also performs. Bertrand de Billy conducts the new production by Emma Dante. Performance Dates: Oct. 2-26, 2024 Gounod’s “Roméo et Juliette” receives a new production featuring multiple casts. {…}

News

Katarina Karnéus, Malin Byström, Luthando Qave & Matilda Sterby Lead Göteborg Opera’s 2024-25 Season

https://operawire.com/katarina-karneus-malin-bystrom-luthando-qave-matilda-sterby-lead-goteborg-operas-2024-25-season/

Sweden’s Göteborg Opera has announced its 2024-25 season. Opera Katarina Giotas headlines Bizet’s “Carmen” with Joachim Bäckström, Adam Frandsen, Luthando Qave, and Matilda Sterby. Aivis Greters and Martyna Szymcza alternate at the pit. Performance Dates: August 24-Oct. 12, 2024 Michael Weinius and Tomas Lind lead Verdi’s “Otello” with Jens Søndergaard, Adam Frandsen, Julia Sporsén, Carolina Sandgren, and Ann-Kristin Jones. Vincenzo Milletarì conducts the production by Rafael {…}

News

Kristine Opolais, Karine Babajanyan, Olena Tokar & Nicholas Brownlee Lead Oper Leipzig’s 2024-25 Season

https://operawire.com/kristine-opolais-karine-babajanyan-olena-tokar-nicholas-brownlee-lead-oper-leipzigs-2024-25-season/

Oper Leipzig has announced its 2024-25 season. Premieres Bach’s “Amadis, der Ritter” is set to star Matthias Stier, Daniel Arnaldos, Olga Jelínková, Samantha Gaul, Sarah Traubel, Olena Tokar, Franz Xaver Schlecht, Jonathan Michie, Jonathan Michie, Gabrielė Kupšytė, Nora Steuerwald, and Franziska Zwink. Performance Dates: Sept. 21, 2024-June 15, 2025 Daniele Squeo conducts Bellini’s “Norma” with a cast that includes Dominick Chenes, {…}

News

Anja Harteros Cancels ‘Tosca’ & ‘Parsifal’ at Bayerische Staatsoper

https://operawire.com/anja-harteros-cancels-tosca-parsifal-at-bayerische-staatsoper/

Anja Harteros has canceled her performances of Wagner’s “Parsifal” and Puccini’s “Tosca” at the Bayerische Staatsoper. The soprano was originally set to perform a new production of Puccini’s opera and revive Wagner’s work. As a result, Eleonora Buratto will sing the title role of Tosca making her role debut while Irene Roberts will take over Kundry in “Parsifal” making her {…}

News

Aigul Akhmetshina, Danielle de Niese & Aryeh Nussbaum Cohen Lead Glyndebourne Festival’s 2024 Season

https://operawire.com/aigul-akhmetshina-danielle-de-niese-aryeh-nussbaum-cohen-lead-glyndebourne-festivals-2024-season/

The 2024 Glyndebourne Festival has been announced celebrating its 90th season. The season will open with a new production of Bizet’s “Carmen,” directed by Diane Paulus in her Glyndebourne directorial debut. Music Director Robin Ticciati and conductor Anja Bihlmaier will share conducting duties with two casts. The first cast will include mezzo-soprano Rihab Chaieb in the role of Carmen and {…}

Reviews, Stage Reviews

Sofia Opera & Ballet 2023 Review: Götterdämmerung

https://operawire.com/sofia-opera-ballet-2023-review-gotterdammerung/

(Photo: Sofia Opera & Ballet) Having successfully staged strong productions of “Das Rheingold” and “Die Walküre,” followed by a slightly less convincing presentation of “Siegfried,” Sofia Opera & Ballet concluded its new production of Wagner’s Ring Cycle with a splendid performance of “Götterdämmerung.” Not only was it musically, dramatically and visually gripping, but it also successfully brought together the threads {…}

Reviews, Stage Reviews

Sofia Opera & Ballet 2023 Review: Siegfried

https://operawire.com/sofia-opera-ballet-2023-review-siegfried/

(Photo: Sofia Opera & Ballet) After a very successful performance of “Die Walküre,” expectations were running high for Sofia Opera & Ballet’s production of “Siegfried,” the third opera in the company’s latest Ring Cycle. Unfortunately, however, it fell short of the standards set by the two preceding operas, “Das Rheingold” and “Die Walküre,” and was dwarfed by the excellent presentation {…}