Utah Opera has announced its 2019-20 season. The season will open with Verdi’s “La Traviata,” directed by Garnett Bruce, in the newly renovated Janet Quinney Lawson Capitol Theatre. Anya Matanovic will star as Violetta Valéry, alongside Rafael Moras making his Utah Opera debut as Alfredo and Metropolitan Opera-regular Michael Chioldi as Germont. Steven White will conduct. Performance Dates: Oct. 12 {…}
The Atlanta Opera continues its mission to bring opera to the next generation, announcing that it will team with The Atlanta BeltLine Partnership (ABP) to bring a series of free opera performances to four elementary schools along the Atlanta Beltline. The performances will be of “The Barber of Seville” and will be funded by a Collaborative Innovation Grant given to {…}
Italian critic and musicologist Fedele d’Amico once praised Rossini for the “orgiastic spirit” and the “vital joy” of his music. This is most true of his most effervescent and famous opera, “The Barber of Seville.” Experiencing it with a good singers and musicians can be like an indulgent meal of cotton candy. A special matinee performance of the piece in Springdale, {…}
The Boston Lyric Opera has announced its 2018-19 season which will feature four works centering on the themes of rebellion. First up is Rossini’s perennial masterwork “The Barber of Seville.” The opera is set to star Matthew Worth, Daniela Mack, Jesus Garcia, David Crawford, Steven Condy, Michelle Trainor, and Alex Lawrence under maestro David Angus. Rosetta Cucchi directs the production. {…}
The Tulsa Opera has announced its 2018-19 which will feature three operas. Dubbed, “An Era of Inclusion,” it must be noted that each of these productions will feature three conductors from Latin American countries. There is also one massively important casting decision made in this season. The first of these is “The Barber of Seville” which opens on Oct. 19, {…}
Gioachino Rossini’s “The Barber of Seville” has always been the gold standard for Italian opera buffa as it is based on the Figaro plays of 18th-century French playwright Pierre Beaumarchais. It seems that the buffa-style laughs and gags endemic to this masterpiece were not enough for Spanish director Joan Font, whose version is currently running at Houston Grand Opera. What {…}
The Amore Opera has announced its winter season which will close 2017. The company will celebrate the holiday season with Rossini’s comic “The Barber of Seville” and Gilbert and Sullivan’s “Scrooge.” “The Barber of Seville” opens on Dec. 22 with performances running through New Year’s Eve. The final presentation will also include a dinner. In total there will be eight showings {…}
The English National Opera has released its schedule for the 2017-18 season which features nine operas between September 2017 and April 2018. The season includes four new productions and six revivals. Verdi’s “Aida” is the first opera of the season kicking things off on Sept. 28 and running all the way through December. Latonia Moore and Morenike Fadayomi alternate the {…}
Over the last few weeks, major opera houses around the world have announced their offerings for 2017-18. Now Opera Tampa has now joined the fray, revealing three major works. To kick off their sixth season, Opera Tampa will showcase Rossini’s “The Barber of Seville” on Feb. 2, 2018, with a second performance on Feb. 4, 2018, at the Carol Morsani Hall. {…}
Opera Grand Rapids’ production of “The Barber of Seville” will feature the Met’s very own mezzo, Ginger Costa-Jackson. Costa-Jackson has previously performed in several productions at the Metropolitan Opera, including Mascagni’s “Cavalleria Rusticana” and Bizet’s “Carmen.” For the May 12th and 13th performances of “The Barber of Seville” the Sicilian-born mezzo-soprano will hit the Devos Performance Hall as Rosina, the {…}
Lyric of Kansas City’s 2017-18 got its announcement earlier this week, the company announcing that it would be showing five works in addition to two events. The company will kick off its season with a production of Tchaikovsky’s operatic masterwork “Eugene Onegin” with performances on Sept. 30, October 4, 6 and 8. The work will be directed by Tomer Zvulun {…}
