Four Roles That Defined Joan Sutherland Career

Joan Sutherland is considered one of the greatest sopranos of all time. Known as “La Stupenda,” Sutherland commanded the stage with her powerful voice, accurate intonation, thrilling high notes, and her impeccable coloratura.

Throughout her career, she brought numerous roles to the forefront from a varied repertoire including the Bel canto, verismo, French, and baroque. The following are four roles that she made her own and for which she will always be remembered.

Lucia Di Lammermoor 

This was Sutherland’s signature with which she broke out at the Covent Garden and went on to perform late into her career. Perhaps what makes her interpretation so special is her immaculate technique as she spins the coloratura phrases with such ease and provides a blazing cadenza that shows off her incredible top notes her and virtuosic power. While the Pavarotti recording for Decca is considered one of the greatest on record, this writer prefers the 1959 live recording from the Royal Opera House. That recording shows the young soprano with great vocal expressivity and clear diction. It also allows audiences to see hear her collaboration with Tulio Serafin.

Semiramide

Sutherland’s forays into Rossini were few but she made a mark in this famous role performing the work first at La Scala before recording it for Decca and performing the aria “Bel Raggio Lusinghier” as one of her war horses. In this role, Sutherland once again had a chance to showcase her incredible ability with coloratura and the flexibility in her voice. In the recording preserved, Sutherland and Marilyn Horne pull off Rossini’s duets with ease and showcase their impeccable collaboration throughout the years.

Il Trovatore

When Sutherland took on Verdi’s famous role, audiences went wild for her breathtaking lyric tone and her impeccable phrasing. The Metropolitan Opera performances with Luciano Pavarotti are among the most memorable in the company’s history and there is also a DVD from the Sydney Opera House showcasing her interpretation.

La Fille du Regiment

Sutherland may not have been the most comic of singers but there is no doubt that Marie was an ideal fit for her voice. This role gave Sutherland the chance to show off her high notes and add a number of roulades that fans loved so much from the diva. One also cannot deny that when Sutherland and Pavarotti sang this role together real vocal fireworks were created.

What is your favorite Joan Sutherland role?

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About the Author

Francisco Salazar
FRANCISCO SALAZAR, (Publisher) worked as a reporter for Latin Post where he has had the privilege of interviewing numerous opera stars including Anita Rachvelshvili and Ailyn Perez. He also worked as an entertainment reporter where he covered the New York and Tribeca Film Festivals and interviewed many celebrities such as Antonio Banderas, Edgar Ramirez and Benedict Cumberbatch. He currently freelances for Remezcla. He holds a Masters in Media Management from the New School and a Bachelor's in Film Production and Italian studies from Hofstra University.

5 Comments on "Four Roles That Defined Joan Sutherland Career"

  1. Loved Sutherland in just about everything, certainly Lucia, Semiramide and Marie in “La Fille du Regiment.” Less so Leonora in “Il Trovatore”–for a fourth role I would pick Norma.

    • Anne Morris-Hooke | November 8, 2017 at 8:44 am | Reply

      YEP – I would absolutely agree with Fred Plotkin on this I certainly approve of Francisco’s other choices though – although…Rigoletto…? Lucrezia Borgia…? I saw her Semiramide and Lucia and Norma and Tales of Hoffmann and I Puritani and Sonnambula… And have always regretted not seeing her Alcina

  2. KENNETH WALTER | November 7, 2017 at 7:42 pm | Reply

    I agree with Fred I would substitute Norma for Trovatore

  3. Would have put her ESCLARMONDE at the top of the list

  4. I also would concur with our mutual friend Fred Plotkin, Lucia, Semiramide, La Fille du Regiment and definately Norma. We could add Tales of Hoffman, Hugonout, Puritani for sure and absloutely Lucrezia Borgia. Rigoletto, Maria Stuarda and Gioconda and to begin her career Alcina in Venice. Also in at the beginning Beltrece di Tenda. Not so much Travatore through she sang it beautifully on record.

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