Stage Reviews

In Review Stage Reviews
Carnegie Hall 2017-18 Review: Maria Guleghina Delivers Sonorous Love-letter to New York City
Marking the 30th anniversary of her international debut, soprano Maria Guleghina took to Carnegie Hall to perform some of her favorite arias from past operas and concerts. Accompanied by the stalwart Craig Rutenberg, what followed was an outpouring of passion for the city where she had some of her greatest roles and where she has not performed in since 2015. She walked onstage in a black dress covered in silver…
In Review Stage Reviews
Richard Tucker Gala 2017 Review: Stephanie Blythe & Ailyn Perez Shine As Nadine Sierra Shows Promise
Every year the Richard Tucker Foundation awards a promising young American opera singer with the annual Richard Tucker Award. The award comes with a star-studded gala that showcases the victorious artist alongside some of the greatest singers in the world, many of which are also previous winners. This year Nadine Sierra was given the award and headlined the gala at Carnegie Hall. Like every year the gala had some artists…
In Review Stage Reviews
Pacific Opera Project 2017-18 Review – La Bohème / The Hipsters: An Intelligent Adaptation of the Puccini Classic Set in the 21st Century
On December 8, 2017, Pacific Opera Project presented its version of Giacomo Puccini’s "La bohème," called "The Hipsters." Artistic Director and Company Co-Founder Josh Shaw defines “hipsters” as twenty to thirty-year-old well-educated members of a subculture that values independent thinking, an appreciation of art, creativity, intelligence, and the witty banter of well-educated young adults, many of whom have liberal arts degrees. Shaw’s English titles supplied a great deal of witty…
In Review Stage Reviews
Manhattan School of Music 2017-18 Review – Cendrillon: The Best Way to Get Into Holiday Spirit
As Manhattanites anxiously awaited the arrival of this Holiday season’s first snow, everyone seemed to buzz with excitement and wonder.  This magical contagion was carried into the opening night of Manhattan School of Music’s production of "Cendrillon."  Everyone gathered in an intimate Baroque style setting at the Alliance Française’s Florence Gould Hall, and it only felt natural to partake in the childlike element of surprise when presented with a never-before-heard…
In Review Stage Reviews
Metropolitan Opera 2017-18 Review – Norma: Angela Meade & Jamie Barton Rock The Met With Gargantuan Singing
Back in fall 2013, Sondra Radvanovsky sang her first “Norma” at the Met. A few performances later, Angela Meade and Jamie Barton stole the spotlight when they were paired together for the second cast of the opera. Now it is the 2017-18 season and the pattern has continued, with the inclusion of Marina Rebeka for two performances in between. While Radvanovsky and Joyce DiDonato got the chance to open the…
In Review Stage Reviews
Tiroler Landestheater Innsbruck 2017 Review – La Gioconda: Elena Mikhailenko Shines In Controversial But Effective Production
Amilcare Ponchielli was unfortunate in being born after his time had passed. Although recognized as a talented composer, he developed a reputation for composing music which always appeared to be a little dated, with the result that his operas have now largely been forgotten and rarely performed, eclipsed by the greater talent of Verdi, and that of his pupils at the Milan Conservatory, Puccini, and Mascagni. His grand opera, “La…
In Review Stage Reviews
Cal Performances 2017 Review – Simon O’Neill Gives the Intimate & the Epic In Fine Evening
From high up in the mountains; from a knoll, within a cave; from a curlicue within the cave, behind a rock; within two back to back rocks, down under the ground about two feet; behind a shelf of rock, jutting out from inside a dome of the oldest rocks in that cave and ancient concavities;  comes this voice, round, round and bound in gold, rich, resonant, and, big, bigger, full,…
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Gramercy Opera 2017-18 Review – Dickens’ A Christmas Carol: A Splendid Adaptation of the Classic Holiday Tale
Drawing upon one of the most beloved of Christmas stories, Gramercy Opera has captured a gem of the holiday spirit with its production of “Dickens’ A Christmas Carol – The Opera.” Staged in the historic Montauk Club of Brooklyn, built only 45 years after the original publication of Dickens’ story, audiences will feel as though they have stepped through a door to the past. Both the set and costumes felt…
In Review Stage Reviews
Opera Parallèle 2017-18 Review – The Little Prince: An Exquisite Production That Reminds Us About the Matters of Consequences
"Matters of consequence” - that’s “The Little Prince” all over, and Rachel Portman’s opera version of the remarkable book by Antoine de Saint-Exupéry lacks none of them. From the magical appearance of the titular Little Prince from Asteroid to his magical disappearance at the curtain, Opera Parallèle's 2017 production in San Francisco brings both the beauty and high-seriousness of the story to life. With libretto by Nicholas Wright, an eloquent enhancement…
In Review Stage Reviews
La Fenice 2017-18 Review – Un Ballo in Maschera: Gianmaria Aliverta’s Foray Into US Racial Politics Generates Insightful Take on Verdi Classic
La Fenice opened its 2017-18 season with an interesting and courageous production of Verdi’s “Un Ballo in Maschera,” a production which under the direction of Gianmaria Aliverta aimed at producing a deeper reading of the work, one which sought to uncover the underlying structural political conflicts that led to the assassination of a political leader. Verdi and his librettist, Antonio Somma, originally set the opera in the court of Sweden’s…