The Wratislavia Cantans announces its 2026 season. This article only features vocal events. Camille Saint-Saëns’ “Samson et Dalila” stars Brian Jagde, Anita Rachvelishvili, and Kostas Smoriginas. They are joined by the NFM Choir led by Lionel Sow and the NFM Wrocław Philharmonic. Thomas Guggeis conducts. Performance Date: September 3, 2026 Angelica Antonini performs with Il Giardino Armonico under the baton of {…}
(Photo: Zani-Casadio) Is it a wise decision to perform two independent works by the same composer on consecutive nights, using a very similar cast, the same stage director, the same basic set, similar or in some cases the same costumes with the same musical director and orchestra? Well, this is exactly what the Ravenna Festival decided to do for its stagings {…}
Details of the 2025 Innsbruck Festival of Early Music have been made public. For the purposes of this article only vocal performances are featured. Concerts First Prize winner of the 2020 Cesti International Singing Competition Margherita Maria Sala performs works by Galuppi, Marcello, Vivaldi, Ristori, and Handel. Sala is accompanied by the Ensemble Locatelli led by Thomas Chigioni. Performance Date: {…}
(Photo: Zani-Casadio) Following on from the previous day’s performance of Monteverdi’s “Il Ritorno di Ulisse in Patria,” Ravenna’s Teatro Alighieri continued with a production of Purcell’s “Dido and Aeneas” coupled with “Hail, Bright Cecelia,” presented by the same cast under the musical direction of Ottavio Dantone. The fact that Pier Luigi Pizzi, who had been responsible for the lackluster staging {…}
(Photo: Zani-Casadio) In his program notes, the director, Pier Luigi Pizzi, writing about “Il Ritorno di Ulisse in Patria,” stated that “the opera speaks for itself,” adding, “we must not induce or force its interpretation… It is up to the audience to confront it, to think about it, and to decide for themselves whether or not it is worthwhile.” Even {…}