Opening with Ravel’s « Cinq mélodies populaires grecques, » William Huyler set the tone for what was an introspective and heartfelt themed Master recital at the Manhattan School of Music’s Greenfield Hall. Huyler emphasized how each of the art song composers chosen for his recital (Ravel, Mahler and Copland), were each forbidden to have their creations performed at some point in their {…}