(Credit: Monika Ritterhaus) “Die lustigen Weiber von Windsor,” like the vast majority of Singspiele, is not well-known outside the German-speaking world. Even in its native Germany, it’s mounted infrequently. Its story, however, is almost universally known. Like Verdi’s “Falstaff,” it’s closely based on Shakespeare’s “Merry Wives of Windsor.” A few details are Germanized: Alice Ford becomes Frau Fluth, and her {…}
It is the first weekend of October, which means that it is one filled with opening nights, new productions, contemporary works, classics, and baroque works. Let’s have a go. A Midsummer Night’s Dream – Wiener Staatsoper, Austria Lawrence Zazzo, Erin Morley, Théo Touvet, Peter Kellner, Szilvia Vörös, Josh Lovell, Rafael Fingerlos, Rachel Frenkel, Valentina, Naforniţa, Peter Rose, Benjamin Hulett, Wolfgang {…}
Over the past years, Wilhelm Schwinghammer has increasingly become one of the most in-demand Strauss and Wagner singers of his generation. He has performed some of the greatest roles from each composer with some of the greatest companies, including the Gran Teatre del Liceu, Washington National Opera, Salzburg Festival, Hamburg State Opera, Bayreuth Festival, and Teatro alla Scala. This week, the {…}
Wilhelm Schwinghammer is one of today’s leading German basses. Throughout the past few years, he has performed at the Bayreuth Festival, Teatro Real de Madrid, Gran Teatre del Liceu, Wiener Staatsoper and the Hamburg Staatsoper as a studio member. He is a great exponent of the operas of Wagner, Strauss, Mozart, and Verdi, as well as the works of Puccini {…}
