White Light Festival 2019 Review: Tristan und Isolde, Act 2
In simplified terms, Wagner’s music, especially in “Tristan und Isolde,” can be visually compared to a continuous stream of waves coming and going, each growing in size and power, exploding, and then receding back to where they came from. In the best performances, a singer rides these orchestral waves of sound, the voice standing above the music, but also impossible {…}