Much has been said about Polish director Krzysztof Warlikowski’s production of Leos Janáček’s “From the House of the Dead (Z mrtvého domu)” that was recently seen at the Royal Opera House. OperaWire’s review from that series of performances was titled “Prison Drama Locks Up Its Singers” in reference to the directs subversive and interruptive choices throughout. And now, the controversial {…}