It’s Valentine’s Day, the day to cherish a significant other. Last year we took a cynical look at the holiday, but not this year. Opera is rife with love, almost every single plot in every single work has some communion of two persons in that blissful word. In fact, love in opera has incited just as many battles and tension {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment takes a look at {…}
The Royal Opera House will present Puccini’s “Tosca” live in cinemas on Feb. 7, 2018. The performance will be broadcast around the world and stars Adrianne Pieczonka in the title role, Joseph Calleja as Mario Cavaradossi, and Gerald Finley as the villainous Scarpia. Regarding the showcase, OperaWire praised the production by Jonathan Kent noting, “It’s humorous to think that many {…}
Back on Jan. 4, I published this piece of criticism on this website. Entitled “Metropolitan Opera 2017-18 Review – Tosca: Yoncheva, Grigolo, Villaume Not Ready for Primetime,” it was clearly no ringing endorsement for the major performers of this hotly anticipated Met Opera production. In fact, it was scathing takedown in some ways of everyone involved, done in the greatest {…}
This weekend, the Metropolitan Opera’s famed Live in HD series returns with Puccini’s “Tosca.” The production by David McVicar stars Sonya Yoncheva, Vittorio Grigolo, and Zeljko Lucic, with Emmanuel Villaume conducting. The production premiered on New Year’s Eve 2017 and has divided critics left and right. Of this cast, OperaWire’s David Salazar wrote, “Yoncheva, Grigolo, Villaume Not Ready for Primetime,” {…}
The Royal Opera House has announced a cast change for its production of “Tosca.” The company announced that due to scheduling changes, the role of Mario Cavaradossi will be sung by Italian tenor Massimo Giordano on Feb. 22 and by Italian tenor Riccardo Massi on March 3. Giordano made his Royal Opera debut in 2003 as Fenton in “Falstaff” and has {…}
The San Francisco Opera has announced its 2018-19 season, which features eight operas and one important concert performance. All of the productions will be brand new for the 2018-19 season. The season opens on Sept. 7, 2017, with the famed “Cavalleria Rusticana” and “Pagliacci” as directed by Jose Cura. The production will star Ekaterina Semenchuk, Roberto Aronica, and Dimitri Platanias {…}
There are instances in which it’s difficult for opera-lovers to remember “Tosca” is no comedy. From that perspective it is easy to recall the legend of a certain prima donna who once bounced back from the trampoline that was supposed to break her fall as Tosca killed herself. Floria Tosca is not one of opera’s most pitiable characters. She is {…}
Sir David McVicar has been directing opera for quite some time, working with such prominent companies as the Royal Opera House, English National Opera, Lyric Opera of Chicago, La Monnaie, and the Glyndebourne Festival Opera. He has also sustained a healthy relationship with the Metropolitan Opera, particularly in recent years where he has been given carte blanche to put together {…}
First premiering on January 14, 1900 at Rome’s Teatro Costanzi, “Tosca” is one of opera’s most popular works. Adapted from Victorien Sardou’s play, “La Tosca,” by Giacomo Puccini and librettist Luigi Illica, the opera has seen countless productions worldwide since its premiere. Sardou himself expressed displeasure for his most cherished work being handled by a composer whom he did not {…}
This review is for the performance on Friday, January 12th, 2018. In keeping with the spirit of verismo, Metropolitan Opera’s production of “Tosca” offered one of the most realistic portrayals of Puccini’s celebrated work. The set may as well have been a window to another time thanks to the care taken by the creative team headed by John Macfarlane. As {…}