(Credit: © Camilla Greenwell, ROH 2022) A much-publicized intimacy director; bold text warnings about sexual violence and “terrorist themes.” There was a certain gung-ho mood amongst the audience going into Katie Mitchell’s new production of Handel’s tragic oratorio “Theodora” at the Royal Opera House this week. The first performance of the work in Covent Garden for 272 years, in fact. {…}