Q & A: Maestro Henrik Nánási on Met Opera’s ‘Iolanta’ & ‘Bluebeard’s Castle’

Tchaikovsky’s “Iolanta” and Bartók’s “Bluebeard’s Castle” will return to the Metropolitan Opera as a double after a successful run a few seasons ago. On first look, it seems like a strange combination with the composers’ styles rather different overall. It takes a truly strong maestro to move from Tchaikovsky’s lush lyrical qualities to Bartók’s challenging harmonic structures. Hungarian maestro Henrik {…}

Komische Oper Berlin 2017-18 Review – Eugene Onegin: Barrie Kosky’s Rendition of Tchaikovsky Masterwork Destined to Be Remembered Forever

The Komische Oper in Berlin has soared in reputation under the leadership of Barrie Kosky for its innovative programming.  It is regarded as the destination in town for rarely-performed opera works. Scheduling an opera trip in Berlin is full of challenges and my maiden journey to the Komische was for the altogether familiar “Eugene Onegin” by Tchaikovsky on Saturday night {…}