Close
  • News
  • IndieOpera
  • Reviews
    • Stage Reviews
    • DVD and CD Reviews
  • Interviews
  • Special Features
    • Opera Meets Film
    • On This Day
  • Opera Wiki
  • Opera Quiz
  • Like OperaWire on Facebook
  • Follow OperaWire on Twitter
  • Follow OperaWire on Instagram
  • Advertise
  • About OperaWire
    • Join the Team
    • Our Authors
  • Support OperaWire
  • Contact Us
Menu
OperaWire
  • Like OperaWire on Facebook
  • Follow OperaWire on Twitter
  • Follow OperaWire on Instagram
  • News
  • IndieOpera
  • Reviews
  • Interviews
  • Special Features
  • Opera Wiki

Tadeas Hoza

Jan 21, 2025

Opéra National de Paris 2024-25 Review: The Cunning Little Vixen

(Photo: Vincent Pontet) Certainly a hidden gem of the mainstream operatic repertoire, Leoš Janáček’s “The Cunning Little Vixen” is one of the most lovable pieces of musical theater ever composed. Its lyrical music, melancholic charm, and even lack of dialogue make this opera hard to resist. Paris Opera’s revival of the work has all the elements needed to succeed: Nicky {…}

Jan 18, 2025

Janáček Brno Festival 2024 Review: The Cunning Little Vixen

(Photo: Marek Olbrzymek) During a walk in the forests outside Brno, Rudolf Těsnohlidek and his friends came across an abandoned baby that was left to freeze under a tree. The unmarried mother was eventually found and claimed she was hoping that the child would be discovered and given a better life. Unfortunately, such incidents were not uncommon in the early {…}

Dec 18, 2024

Janáček Brno Festival 2024 Review: Rusalka

(Photo: Národní divadlo Brno) Fairytales often speak directly to our unconscious, revealing drives and truths that are not always apparent to our conscious selves. It is therefore not surprising that many tales are replicated across countries and cultures, even if the characters and details vary. The Slavic fable of Rusalka, for example, has counterparts with the French Melusine, Germanic Nixie {…}

Dec 5, 2023

National Theatre Brno 2023-24 Review: The Jacobin

Photo: Patrik Borecky “Rusalka,” alone among Dvořák’s operas, has managed to establish itself across the opera world, while his other ten have largely been ignored outside his Czech homeland. One or two have managed to keep a small toehold on the international stage, but only just. It is a strange state of affairs, especially in the case of “The Jacobin.” {…}

Newsletter

Stay up to date with the latest Opera news, events and releases!

  Thank you for Signing Up
Please check if you entered the email address correctly.
1,true,6,Contact Email,2
OperaWire Newsletter

Links

  • Home
  • About OperaWire
  • Editorial Policy
  • Advertise
  • Join the Team
  • Privacy Policy

Social

  • Facebook
  • Twitter
  • Instagram

Contact

  • General Enquiries
    [email protected]

  • Articles & Press
    [email protected]

Opera is thriving. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis.

© Copyright 2025 OperaWire
Site by Lenny's Studio