(Image Source: Official Website) With a modest cast of only two, and composed as a modern compliment to Bela Bartok’s expressionist opera “Bluebeard’s Castle”, composed in 1918 and reading as a complex, minor-second analogy of Bartok’s inner turmoil at the time, Hungarian composer Péter Eötvös’ 12th one-act opera “Senza sangue” is a pearl of the new operatic epoch, a testament {…}