Royal Opera House 2017-18 Live Cinema Preview: Controversial ‘Carmen’ Hits Silver Screen

On March 6, 2018, the Royal Opera House, Covent Garden will showcase its new production of Bizet’s “Carmen.” The production, directed by Barrie Kosky, stars mezzo Anna Goryachova, Francesco Meli, Kostas Smoriginas, Kristina Mkhitaryan, David Soar, Jacquelyn Stucker, Aigul Akhmesthina, Pierre Doyen, Jean-Paul Fouchécourt, and Gyula Nagy under the musical direction of Jakub Hrůša. The production has been getting mixed {…}

Royal Opera House 2017-18 Live Cinema Preview: Calleja, Pieczonka Star in Puccini’s ‘Tosca’

The Royal Opera House will present Puccini’s “Tosca” live in cinemas on Feb. 7, 2018. The performance will be broadcast around the world and stars Adrianne Pieczonka in the title role, Joseph Calleja as Mario Cavaradossi, and Gerald Finley as the villainous Scarpia. Regarding the showcase, OperaWire praised the production by Jonathan Kent noting, “It’s humorous to think that many {…}

Royal Opera House 2017-18 Review – Tosca: Pieczonka, Calleja, Finley Don’t Quite Mesh in Revival of Jonathan Kent’s Classic Produciton

There are instances in which it’s difficult for opera-lovers to remember “Tosca” is no comedy. From that perspective it is easy to recall the legend of a certain prima donna who once bounced back from the trampoline that was supposed to break her fall as Tosca killed herself. Floria Tosca is not one of opera’s most pitiable characters. She is {…}

Royal Opera House 2017-18 Review – Salome: David McVicar’s Thrilling Production & Michael Volle’s Violent Presence Make For Impactful Evening of Opera

London is a chilly place. Yet on this particularly evening I leave my coat in the hotel and zip to Covent Garden. No room nor time for extra layers, since attending a performance in the Royal Opera House is a cluttered affair. The long lines for cloakrooms stifle with imperial colognes, and the tight, even if velvet, chairs make Ryanair {…}

Royal Opera House 2017-18 Review – Cavalleria Rusticana / Pagliacci: Verismo Duo Falls Prey to Verismo Schtick

In the beginning of the 20th-century there was a snootiness about verismo opera. All of its propagators – Puccini, Giordano, Mascagni, among others – were accused of simplifying opera by eliminating many of its challenges. Those long showy lines of coloratura were long gone. In place of it, the singers began interspersing notes and passages with great long sighs or {…}

Royal Opera House 2017-18 Review – Rigoletto: Dmitri Platanias Shines Bright In Unsatisfactory Affair

“Bleakness” would be best used to describe the ambience of this by now well known Royal Opera House revival: David McVicar’s “Rigoletto”. Originally mounted in 2001, it was first publicized as an audacious, controversial exposé of sixteenth-century Mantuan aristocracy; the kind of risky spectacle of which Verdi – plagued chronically by problems with his censors – could have only dreamed. {…}