Royal Opera House 2017-18 Review – Cavalleria Rusticana / Pagliacci: Verismo Duo Falls Prey to Verismo Schtick

In the beginning of the 20th-century there was a snootiness about verismo opera. All of its propagators – Puccini, Giordano, Mascagni, among others – were accused of simplifying opera by eliminating many of its challenges. Those long showy lines of coloratura were long gone. In place of it, the singers began interspersing notes and passages with great long sighs or {…}

Royal Opera House 2017-18 Review – Rigoletto: Dmitri Platanias Shines Bright In Unsatisfactory Affair

“Bleakness” would be best used to describe the ambience of this by now well known Royal Opera House revival: David McVicar’s “Rigoletto”. Originally mounted in 2001, it was first publicized as an audacious, controversial exposé of sixteenth-century Mantuan aristocracy; the kind of risky spectacle of which Verdi – plagued chronically by problems with his censors – could have only dreamed. {…}

Royal Opera House 2017-18 Preview: Elīna Garanča Among 4 Reasons to See ‘Cavalleria Rusticana’ & ‘Pagliacci’

This Wednesday, Nov. 29, 2017, the Royal Opera House Covent Garden opens its production of the famed Italian double bill often known as “CavPag.” “Cavalleria Rusticana” and “Pagliacci” will get 11 performances this season with the final one slated for Jan. 13, 2018, almost a month-and-a-half after it opens its run. Here are reasons to see this year’s “CavPag” at {…}