The Bayreuth Festival is set to present Wagner’s “Rienzi” in 2026. Katharina Wagner said in a text that she believes that “Rienzi” is now part of the canon even though Wagner himself had not found the opera worthy of Bayreuth. She said, “And I’m sure Richard Wagner, in his artistic restlessness, would have enjoyed it from today’s perspective.” “Rienzi” made {…}
(Credit: Klaus Frahm) UPDATE: The Deutsche Oper Berlin reached out to OperaWire, stating that it expects the final decision by the Senate of Berlin by April 1, 2021. The Deutsche Oper Berlin has announced the cancellation of all performances. “In accordance with the decision of the State of Berlin, the Deutsche Oper cancels all presentations and assumes that no performances {…}
(Credit: Deutsche Oper Berlin / Bettina Stöß) The Deutsche Oper Berlin has announced that it will broadcast the production of Wagner’s rarely performed “Rienzi, der Letzte der Tribunen.” The production of Philipp Stölzl premiered at the Berlin’s largest opera house on January 24, 2010. The cast includes soprano Camilla Nylund as Irene, mezzo-soprano Kate Aldrich in the role of Adriano, {…}
(Credits: © David Jerusalem / Emelie Kroon / Jiyang Chen / Dagmar Medina / In Art Management Official Website) The Oper Leipzig has announced the Wagner 22 festival. The festival, which is set to be held from June 20 to July 14, 2022, will showcase all 13 Richard Wagner operas and will feature such artists as Andreas Schager, Stefan Vinke, {…}
(Credit: Candy Welz) Soprano Camila Ribero-Souza was born in São Paulo, Brazil, where she studied singing with Jocelyne Gallo, Edilson Costa, and Luiz Tenaglia. From March 2011 until January 2018, she was a member of the soloist ensemble of the Meininger Staatstheater. In February 2018, as a spinto soprano, she joined the ensemble at the Deutsches Nationaltheater Weimar, where she {…}
(Credits: Patricia Varela) Young Norwegian soprano Elisabeth Teige has established herself as one of the most sought-after dramatic sopranos of her generation. She has appeared in the number of dramatic roles including Senta in “Der Fliegende Holländer,” Leonore in “Fidelio,” Cio-Cio-San in “Madama Butterfly,” Irene Wagner’s “Rienzi, der Letzte der Tribunen,” Elsa in “Lohengrin,” and the title character of Puccini’s {…}
Strange as it may now seem, but during Wagner’s own lifetime, and well into the early 20th century, “Rienzi” was one of his most oft performed works, knocking up over 200 performances by 1908 in Dresden alone, the city in which it was premiered. Nowadays, no doubt, owing in part to Wagner’s own reservations about the work, it has become {…}