(Photo credit: Daniel Boud) Concert performances of “Das Rheingold” by the Sydney Symphony Orchestra (SSO) in the Opera House Concert Hall November 16-18 were the most recent events in what is shaping up to be a bit of a Wagner year in Australia. Next month sees Opera Australia’s much-awaited new “Ring cycle” in Brisbane, delayed twice previously by COVID. Back {…}
Photo credit: Catherine Hancock Brooklyn Art Song Society (BASS) continued its 14th season with “Circles II: The Wagnerians” on Friday, November 3rd, 2023, at the First Unitarian Church of Brooklyn. OperaWire covered its season opener, “Circles I: Clara, Robert & Johannes,” last month and discovered how art song continues to engage listeners from a place of uninhibited curiosity and what {…}
Richard Wagner fell in love with the story of Lohengrin. How could he not? A handsome knight, with a golden disposition of purity, nobility and generosity. The son of Parsifal. The leader of the Grail. Destined to rescue, save and uplift all who needed rescuing and salvation. With soaring and beauteous romantic melodies, rich choral support, dazzling duets between glorious {…}
Credit Frank Caliri Jonathan McPhee boasts a diverse musical portfolio. As the Music Director for the Lexington Symphony in Massachusetts and a Guest Conductor at the Houston Ballet, his expertise doesn’t stop there — he’s also a composer and arranger. With an affinity for arranging, he’s notably transformed grand pieces, such as Stravinsky’s “Rite of Spring” and “Firebird” into reductions. {…}
(Photo: Sofia Opera & Ballet) Having successfully staged strong productions of “Das Rheingold” and “Die Walküre,” followed by a slightly less convincing presentation of “Siegfried,” Sofia Opera & Ballet concluded its new production of Wagner’s Ring Cycle with a splendid performance of “Götterdämmerung.” Not only was it musically, dramatically and visually gripping, but it also successfully brought together the threads {…}
Nothing is ever black and white, not even climate change, war, activism, politics, and art. But what can be said is that our Earth needs to be protected no matter the cost. While the number of oil spills has gone down over the decades, the amount of trash produced by China and the United States alone is staggering. On top {…}
What do you get when you cross Richard Wagner’s “The Ring Cycle,” with its dramatic story of warring gods and goddesses told by the light of an exorbitant musical tapestry, the humorous animations of Warner Bros., a large helping of ironic self-awareness? Well, you end up with “What’s Opera, Doc?” The brain child of animators Chuck Jones and Michael Maltese, {…}
Photo Credit: Marc Brenner English National Opera has had a stay of execution from the swinging cuts imposed on them by Arts Council England before Christmas. At least another year of funding is guaranteed, though it has not come without casualties; the “Siegfried” planned as the next installment of their burgeoning “Ring” has reportedly been pulled. A pity, as Richard {…}
The Richard Wagner Museum in Bayreuth’s basement was flooding causing major damage. According to the News5 agency, the flooding happened on March 18 and caused the damage of 4,000 books and manuscripts. The Museum Director Dr. Sven Friedrich confirmed the incident and noted that a third of the books in the Richard Wagner Museum in Bayreuth were damaged. He also noted {…}
(Credit: © Tristram Kenton) It is some 20 years since ENO saw a complete “Ring.” Over the next few years they launch a new production, beginning with “The Valkyrie,” reverting next year to “Das Rheingold,” and then on. It is a bold undertaking to launch a new “Ring” in these challenging times for opera, with no little financial and artistic {…}
(Credit: © Glyndebourne Productions Ltd. Photo: Bill Cooper) Glyndebourne’s final production of this year’s festival is a semi-staged realization of Richard Wagner’s “Tristan und Isolde,” conceived by Daniel Dooner and featuring Glyndebourne music director Robin Ticciati in the pit, accompanied by their resident orchestra the London Philharmonic Orchestra. It’s a production that boldly sets out several role debuts, in Simon {…}