The Dallas Opera is set to present Gluck’s “Orpheus and Eurydice” in a new production. The work will be shown in four performances from Feb. 7 to 15 at the Winspear Opera House. The new production will be directed by Joachim Schamberger and will be shown as a metaphor for caring for someone with dementia. In this new production, Orpheus becomes {…}
The Edinburgh International Festival has started to reveal its 2025 festival. Here is a breakdown of the vocal performances announced so far. The festival opens with a rendition of Tavener’s “The Veil of the Temple,” a concert featuring the Royal Scottish National Orchestra under Sofi Jeannin as well as the Edinburgh Festival Chorus, Monteverdi Choir, National Youth Choir of Scotland, {…}
Photo credit: Keith Saunders Opera Australia’s 2024 season at the Sydney Opera House continued on January 12th with a beguiling production of Gluck’s 18th century “Orpheus and Eurydice.” Originally a co-production between Opera Queensland and acrobatic troupe Circa, which Opera Australia now offered as their contribution to this year’s Festival of Sydney, this is a summer event that annually offers {…}
Opera Atelier is set to open its 2023-24 season with the French 1774 version of Gluck’s “Orpheus and Eurydice.” The opera will be performed from Oct. 26 through Nov. 1 at the Elgin Theatre in Toronto. “Orpheus and Eurydice” will star Canadian tenor Colin Ainsworth as Orpheus, soprano Mireille Asselin as Eurydice, and soprano Anna-Julia David as Amour in her {…}
Virginia’s Victory Hall Opera will present a unique rendition of a classic masterwork spotlighting deaf performers. On March 21, 2023, the company will showcase Gluck’s “Orpheus and Eurydice” at the Old Cabell Hall at the University of Virginia. The work will feature deaf stars Amber Zion and John Maucere as they battle numerous personal challenges at the hands of their {…}
It’s that time of the year. A time when we can look forward to what’s to come, but also a moment to reflect on all we’ve experienced. And as has become the tradition here at OperaWire, we have asked our writers to select their choices for the opera performances that truly marveled them in 2022. So without further ado, we’ll {…}
San Francisco Opera outdid itself with Christoph Willibald Gluck’s 18th century masterpiece, “Orpheo ed Euridice.” An absolute gem, the opera was the piece de resistance of the season. The cast, the set, the music, all in a new production by director Matthew Ozawa and conducted by acclaimed early music interpreter Peter Whelan in his American opera stage debut. Rena Butler made {…}