Opera Meets Film: How Kon Ichikawa’s Use of ‘Ombra Mai Fu’ Explores Theme in ‘The Makioka Sisters’
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment features Kon Ichikawa’s “The {…}