“Così fan tutte” is the third opera in the Mozart-Da Ponte trilogy, following “Le Nozze di Figaro” and “Don Giovanni.” The opera had its premiere on Jan. 26, 1790, at the Burgtheater in Vienna, Austria. The work’s title is often translated into English as “Woman are like that,” undeniably a reference to the opera’s central theme that questions women’s fidelity. {…}
Juan Diego Flórez is one of the greatest tenors in the world. Of that there can be no doubt. Born on Jan. 13, the tenor has gone on to establish himself at every major opera house in the world in an ever-evolving repertoire that ranges from Rossini, Donizetti, and Bellini all the way to the great French composers such as {…}
It was close to 9 p.m. on Saturday, Jan. 6, 2018. Heldentenor Clay Hilley had already conquered the rage of the ocean, immersed himself in the diary of one who vanished, become one with the earth. He had even forged Siegfried’s legendary sword Nothung. And yet his most challenging role of the evening was right in front him. After some {…}
“Opera Meets Film” is a feature dedicated to exploring the way that opera has been employed in cinema. We will select a section or a film in its entirety, highlighting the impact that utilizing the operatic form or sections from an opera can alter our perception of a film that we are viewing. This week’s installment will showcase Ingmar Bergman’s {…}
He’s 36 years old. He lives in an RV that he uses to travel across the US. He’s coming off a summer in which he scored one of his greatest career victories to date. And he’s also that rare breed of dramatic tenor that takes well to Wagner’s operas. He’s so adept at the musical style that he is the {…}
It was Latin night at the Met on Friday, Dec. 29, 2017, with three Latin American artists headlining a revival of Mozart’s “Le Nozze di Figaro.” Ailyn Pérez, Isabel Leonard, and Nadine Sierra all topped the billing of a cast that also included two Eastern Europeans, Ildar Abdrazakov and Mariusz Kwiecien, as Figaro and the Count Almaviva respectively. To put {…}
Despite fall’s chill blanketing Manhattan, opera-goers are delighting in the light-hearted comedy in Juilliard’s production of Mozart’s “La Finta Giardiniera.” Composed when he was just shy of turning 19, Mozart indulges in the fiery emotions that stir a garden party, gathered at the house of a small-town mayor. The opening scene reels in the listener while two maids whisper about {…}
As he moves into heavier repertoire, one composer has been rather absent from the repertoire of Peruvian tenor Juan Diego Flórez – Mozart. Listening to him dominate the bel canto repertoire, it has always been of great interest to hear this brilliant and polished singing actor take a stab at a composer equally noted for his polish and finesse. The {…}
From November 4th – 12, Pittsburgh Opera will be performing Mozart’s comedic opera “The Marriage of Figaro.” This production will feature not only many of Pittsburgh Opera’s veteran performers, but a number of singers making their debuts with the company, such as bass-baritone Tyler Simpson in the role of Figaro, and soprano Joelle Harvey in the role of Susanna. OperaWire {…}
Last week we got “Norma,” and this week, the Metropolitan Opera’s famed Live in HD series continues with a broadcast performance of “Die Zauberflöte” on Saturday, Oct. 14, 2017. The broadcast, which kicks off 12:55 p.m. Eastern time, will feature maestro James Levine in his first of several broadcasts this season. This will be the maestro’s 48th performance of the {…}
“Così fan tutte” has often been a vehicle for some terrific singing as the third and final Mozart opera penned by Lorenzo Da Ponte. That was again the case Friday night at the Bayerische Staatsoper as a cast of rising stars showcased their respective talents in octogenarian Dieter Dorn’s production. When something has lasted for almost a quarter century, there {…}