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Molly O'Cathain

May 10, 2024

Irish National Opera 2023-24 Review: L’Olimpiade

(Photo: Ros Kavanagh) Intricate and convoluted plots are not exactly rare in operas of the 17th and 18th centuries. Usually revolving around mistaken identities, complex love triangles, misunderstandings and deliberate deceptions that precipitate extreme emotions, their narratives career forward, plunging the protagonists into life-threatening and life-changing situations in which the gods, heroes and mythical characters often play their part. Vivaldi’s {…}

Feb 9, 2022

Royal Opera House Review 2022: Bajazet

(Photo credit: Royal Opera House, 2022) Two baroque jewels are running concurrently at the Royal Opera House: Katie Mitchell’s molten “Theodora” on the mainstage, and downstairs in the more intimate confines of the Linbury, Antonio Vivaldi’s pasticcio “Bajazet,” a co-production with Irish National Opera. And what a study in contrasts they make: upstairs, something rueful and naturalistic, whose props are {…}

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