(Callas enshrouded in reporters. Credit: Maurice Zalewski/ADOC photos) Vignettes of onstage outtakes are aplenty. Daily shots of the soprano, less so. Here’s a peek into Maria’s typical excursions—culinary and sartorial; social and cultural—on a work(not really)less day. Coruscating like the crystalline intrusion of a cocktail dress’ brooch asparkle in a parking lot; a spotlight pooling blindness onto “Poliuto”‘s Paolina; {…}
(Credit: Teatro alla Scala / Brescia – Amisano) On Dec. 7, 2021, the Teatro alla Scala opened a new production of “Macbeth” by Davide Livermore. A season later the company is reviving the production, which showcases the 1865 version, while including the frequently cut ballet and “Macbeth’s final aria. Dystopia & Lots of Movement The production is a cinematic spectacle {…}
(Credit: Brescia/Amisano – Teatro alla Scala) It is surprising that G.F. Handel’s “Giulio Cesare in Egitto” has had only one previous outing (back in 1956) at Milan’s Teatro alla Scala, as it is perhaps a work rich in veins of Italian national pride: a heroic tale based upon the valor and moral fortitude of one of Rome’s most glorious emperors, {…}
On Wednesday, Dec. 7, the legendary Teatro all Scala opens its 2016-17 season with Puccini’s “Madama Butterfly.” The opera stars rising star Maria Jose Siri, Bryan Hymel and Carlos Alvarez and is led by music director Riccardo Chailly. The opening continues La Scala’s tradition of inaugurating the season on Dec. 7 and continues Chailly’s Puccini cycle, which he began back {…}
