(Photo: Michele Crosera) Given that Venice is the city of Vivaldi’s birth and the scene of most of his musical successes, it is fitting that La Fenice has been one of the leading companies in the movement toward rehabilitating staged performances of his operas. This season’s production of the composer’s 1735 work “La Griselda” will mark the fifth consecutive year {…}
(Photo: Michele Crosera) As the final bars of Purcell’s “Dido and Aeneas” played to a close, the chorus moved from the floor of the theater to surround the body of Dido, who lies dead on a raised platform, having slit her own throat. Just behind her a dancer, dressed in a wedding dress contorted and distorted herself into positions of {…}
(Photo: Michele Crosera) Four months after La Fenice closed its doors, opera has once again returned to its stage, albeit not necessarily in a form that one normally associates with a traditional opera house. The regulations aimed at containing the spread of COVID 19 mean that Italian theatres, cinemas, and other public performance spaces must comply with stringent restrictions, which {…}
Opera will return to the Teatro la Fenice on July 10 with a new production of Vivaldi’s “Ottone in Villa.” The new production will be conducted by Diego Fasolis and star Giulia Semenzato, Sonia Prina, Lucia Cirillo, Valentino Buzza, and Michela Antenucci. Giovanni Di Cicco will direct the production with set designs by Massimo Checchetto, costumes by Carlos Tieppo, and {…}
