Metropolitan Opera: 2017-18 Review – L’Elisir D’Amore: Polenzani Leaves Audience Drunk on Love

This review is for the performance on Saturday, January 20, 2018. Audiences at the Metropolitan Opera were in for a treat this evening as they gathered for Donizetti’s heartfelt comedy “L’Elisir D’Amore.” Bartlett Sher’s production faithfully held to tradition while creating an authentic experience of a small, connected village where events big or small ripple outwards and leave nothing untouched. {…}

The Metropolitan Opera Guild Announces New Programs, Including Maria Callas Tribute, For 2018

The Metropolitan Opera Guild has announced new programs for the 2018 season. Among the new programs added to the Schedule are “In the Mouth of the Wolf,” “Maria Callas at Ninety-Five – A Birthday Salute,” and “Celebrating Historic Met Moments.” “We are pleased to announce some new and additional programming for Spring 2018,” said Stuart Holt, Director of School Programs and {…}

Top 5 Operas To See This Weekend – North America (1/12-14): Beth Morrison Projects, El Paso Opera, Seattle Opera Return to Business

With the New Years’ celebrations already at an end, a lot of major opera companies are making major returns. Here is a rundown of the performances you should get excited over this weekend! Acquanetta – Beth Morrison Projects Leave it to Beth Morrison Projects to bring the world unique experiences, starting with Michael Gordon and Deborah Artman’s “Acquanetta,” a work {…}

Ekaterina Semenchuck To Sing Full Run Of ‘Cavalleria Rusticana’

Eva-Maria Westbroek has canceled her four performances for the Metropolitan Opera’s revival of “Cavalleria Rusticana.” The Met announced that the soprano canceled due to illness. As a result, Ekaterina Semenchuk who opened the revival on Monday will takeover. OperaWire praised Semenchuck’s opening night performance stating, “Ekaterina Semenchuck is one of the few dramatic mezzos today that can perform this role to {…}

Metropolitan Opera 2017-18 Review – Cavalleria Rusticana / Pagliacci: Roberto Alagna Triumphs With Two Incredible Divas

“Pagliacci” and “Cavalleria Rusticana” is one of the signature double bills in opera that show offs the many qualities of a leading tenor. Both parts are known for their demanding vocal challenges and in many cases are sung by two different tenors. However, in the Metropolitan Opera’s current revival of David McVicar’s production, Roberto Alagna triumphed in two of his best {…}