On New Year’s Eve, the Metropolitan Opera opened a new production of Gounod’s “Roméo et Juliette.” The result was a mixed bag with two bright stars heading the cast. The production was a dreary classically fitted take that lacked clarity of vision and ultimately dragged the show. After a few months, the Met has revived the production with better results. {…}
Many opera companies get back in on the action this weekend from all around the country in one of the busier weekends of the season. The Dallas Opera makes its great return on Friday, March 10 with a production of Puccini’s “Madama Butterfly.” Hui He stars in the leading role with Gianluca Terranova, Lucas Meachem and Manuela Custer rounding out the {…}
For decades Bizet’s “Les Pêcheurs de Perles” was rarely ever performed. We would hear the famed “Friendship Duet” or get the occasional recording here and there, but seeing a staged performance was a thing of dreams. But now opera lovers can enjoy a live performance of Bizet’s often-ignored work from the comfort of their living rooms. Mind you, the Metropolitan {…}
I preface this by stating that this review is for the performance on March 5, 2017. I would also like to recognize that this is just one performance of a seven-performance run. In an ideal situation, I would attend every performance and write a detailed review of the overall work. As it stands, I can only go on my perspective {…}
It has now been over three years since Jonas Kaufmann has appeared at the Metropolitan Opera. Fans were excited to see the tenor return next season for a hotly anticipated “Tosca,” but alas, the wait for his return to New York will continue after news broke out that he has canceled his appearances next season. The New York Times broke the {…}
This review is for the performance on Feb. 20, 2017. Taking in the experience of Massenet’s “Werther” is a rather fascinating one. Not because the music is without a doubt the composer’s finest creation or because the Metropolitan Opera’s production is a dramatic home run (more on that later). It has to do with audience interaction and engagement. Who would {…}
Fans will get a chance to meet mezzo-soprano Jamie Barton at the Metropolitan Opera Store on Feb 23 at 3 p.m. Barton will sign copies of her new album “All Who Wander,” which includes music from Sibelius, Dvorak and Mahler. Upon release OperaWire said, “Barton’s voice is delicate throughout, a sound that the audiences are not accustomed to hearing in the opera house where {…}
It isn’t a particularly busy week in terms of releases, but there are some gems that people will undeniably want to check out. Here is a look at the French and German offerings you can find available for home release. Damrau in Bizet One of the major highlights of the Met Opera’s 2015-16 season was Bizet’s “Les Pêcheurs de Perles.” {…}
During this weekend’s broadcast of “I Puritani,” Metropolitan Opera General Manager Peter Gelb was given the floor to talk about the company’s upcoming 2017-18 season, which was announced this past Wednesday. But instead of launching into his offerings, Gelb moved in a different direction, turning his attention toward the social-political challenges facing arts institutions. “I think it’s really important that {…}
The Metropolitan Opera has cancelled plans to stage Damiano Micheletto’s version of Saint-Saens’ “Samson et Dalila.” According to the AP, Gelb said, “Michieletto is a very talented director, however, this production of ‘Samson’ just didn’t click with the Parisian public.” As a matter of fact the production was booed when opened last year at the Opera de Paris. Michieletto restructured {…}
Vittorio Grigolo is one of the most acclaimed tenors of his generation and has already been hailed as the successor to Luciano Pavarotti, his greatest qualities including his rampant energy and charisma on stage. On Feb. 19 Grigolo celebrates his 40th birthday and as a result OperaWire takes a look at some his most acclaimed roles The Duke in “Rigoletto” Vittorio Grigolo {…}