The Oratorio Society of New York will present world premieres of an oratorio about the Underground Railroad that sets narratives of slaves running for freedom and their lives, and a work that sets poems calling for peace in Farsi, Spanish, Hebrew, Arabic, and English. The two works that will be presented include “Sanctuary Road,” by Paul Moravec and Mark Campbell {…}
Anywhere you look these days, you might find some major opera company programming “As One,” an opera by composer Laura Kaminsky and written by noted librettist Mark Campbell and filmmaker Kimberly Reed. The work, which depicts the journey of transformation for a transgender woman has mystified and engaged numerous audiences around the United States since it world premiere on Sept. {…}
The Chicago Opera Theater presented a stellar performance of “Elizabeth Cree” on Feb. 10, 2018, at the Studebaker Theater in Chicago’s Fine Arts Building. A co-production with Opera Philadelphia, this murder mystery opera based on Peter Ackroyd’s historical crime novel, “The Trial of Elizabeth Cree,” treads a knife-edge, successfully balancing horrific dramatic narrative, tongue-in-cheek vaudeville, and bittersweet pathos. Mark Campbell’s text {…}
Murder, mystery, and mayhem are on offer in “Elizabeth Cree” when it opens this Saturday, Feb. 10 at the Chicago Opera Theater. Set in 1880s Victorian London, the opera begins with the hanging of Elizabeth Cree for the murder of her husband, John. The story then circles back to the trial for that murder and Elizabeth’s own narrative of her {…}
At the end of this week, audiences in the US will get the operatic event of the summer. That, of course, is the world premiere of “The (R)evolution of Steve Jobs,” an opera written by Mark Campbell with music by Mason Bates. The work kicks off its run on July 22 at the Santa Fe Opera and runs through August {…}
Verdi’s “La Traviata.” Puccini’s “Tosca.” Mozart’s “Le Nozze di Figaro.” What’s wrong with that picture? For most opera lovers, nothing whatsoever. And yet the underlying truth that everyone overlooks is that those works don’t exist without the other major figures attached to the respective works. It should really be Verdi and Piave’s “La Traviata,” for example as the former would {…}
“The only thing alive in a Crypt is the sound,” said Mark Campbell during a preview presentation of “Elizabeth Cree.” And right he was as Daniela Mack and Joseph Gaines’ voices rang through the crypt first performing selections from Britten and Poulenc and later from the new work at the Crypt Sessions. The evening was filled with good wine, food {…}
The San Francisco Opera has announced that it will present “The (R)evolution of Steve Jobs,” the first full-length opera written by Bay Area composer Mason Bates and set to a libretto by Mark Campbell in 2019-20 season. It will join Santa Fe Opera and Seattle Opera, with support from Cal Performances as a co-commissioner. The new work will be a co-production {…}
The Crypt Sessions Season 2 continues on May 31, 2017, with a preview of “Elizabeth Cree.” The new work was composed by the Pulitzer Prize-winning team of composer Kevin Puts and librettist Mark Campbell and is slated to have its world premiere Sept. 14, 2017, as part of Opera Philadelphia’s inaugural fall festival. Puts will accompany mezzo-soprano Daniela Mack, who will create the title role {…}