La Monnaie du Mont has announced its 2019-20 season showcasing two world premieres, Mozart’s Da Ponte trilogy and two Joan of Arc operas. The season will also see a celebration of Offenbach, as well as a number of recitals from some of the leading artists in opera. The seasons opens with Pascal Dusapin’s “Macbeth Underworld.” The new opera adapted from {…}
Quebec-native Marie-Nicole Lemieux, C.M., C.Q., is one of the highest-rated contraltos in the world, performing regularly at Covent Garden, Theater an der Wien, Barcelona’s Liceu, the Théâtre des Champs-Elysées, and singing alongside such luminaries as Anna Netrebko and Plácido Domingo. Name a world-class orchestra or maestro, and Lemieux has more than likely worked with them at some point in her {…}
The Opéra National de Paris has announced its 2019-20 seasons which will feature a total of 19 operas and the entire Ring Cycle in an all-new production. Bellini’s “I Puritani” opens the season in a production by Laurent Pelly. Elsa Dreisig takes the leading role with Javier Camarena and Francesco Demuro sharing the role of Arturo. Riccardo Frizza conducts the {…}
This review is for the performance on Feb. 22, 2019. The month of February might be the Met’s best in 2018-19. Just a few weeks ago, the company revived Donizetti’s “La Fille du Régiment” and it proved to be one of its great successes of the season. Propped up by star performances and a brilliant production, it has kept audiences {…}
Orchestra of St. Luke’s has announced its 2019-20 Carnegie Hall Season, which will include three concert performances with Principal Conductor Bernard Labadie. In its first concert of the season, Orchestra of St. Luke’s will present two works by Mendelssohn, “The Hebrides” Overture and Symphony No. 3 in A Minor, Op. 56, “Scottish.” Additionally, 24-year-old pianist Beatrice Rana will be featured during {…}
Debussy’s masterwork “Pelléas et Mélisande” is one of the most glorious operas ever written. Its melodies are elusive, but when performed at its maximum expression, it can wrap you up and transport you to a different state in a way only few other operas can. It is truly a masterwork. The Metropolitan Opera produced the work for the first time {…}
Marie-Nicole Lemieux is one of the most sought after contraltos of her generation. She has performed around the world in every major theater including the Teatro alla Scala, Salzburg Festival, Opéra National de Paris, the Teatro Real in Madrid, the Gran Teatre del Liceu, and the Wiener Staatsoper, among others. This week she will finally make her long overdue Metropolitan {…}
The Salzburg Whitun Festival has announced its 2019 season, which also included a special message from its artistic director Cecilia Bartoli. “It is no coincidence that I can realize the idea now, when discussions about the abuse of the bodily integrity of artists have become so topical,” Bartoli stated in a press released. “In the name of art, thousands of {…}
The Théâtre Champes-Élysées has announced its 2018-19 season. Let’s break it down Staged Productions Jérémie Rhorer conducts a new production of Verdi’s “La Traviata” with Deborah Warner directing. Vannina Santoni stars in the title role alongside Saimir Pirgu and Laurent Naouri. Performance Dates: Nov. 28-Dec. 9, 2018 Katie Mitchell directs Strauss’ “Ariadne Auf Naxos” with Camila Nylund and Roberto Sacca. Kate Lindsey and Olga Pudova round out {…}
Every season the Metropolitan Opera has some of the greatest stars in the world. Some return for the first time in years while others are Met veterans. But there are also debuts that are unexpected or important for the house. The 2018-19 season will undoubtedly bring six debuts that all opera goers need to see. Nicole Car -“La Boheme” The {…}
Back in 1973, 32-year-old conductor John Nelson took the stage at Carnegie Hall. He was leading his first-ever performance of Berlioz’s monumental opera “Les Troyens.” Little did he know at that moment that the piece could come to become one of the most important of his entire career. “I was a kid back then,” the conductor told OperaWire in a {…}