(Photo: ENO/Helen Murray) One wonders what Bruges ever did to Georges Rodenbach. His 1892 novella “Bruges-la-Morte” pumps the city full of a repressive religious and psychosexual fog. Its gloomy streets represent a labyrinth of grief, recrimination, and sexual guilt trodden by Paul, the protagonist of Erich Korngold’s 1920 opera “Die tote Stadt,” here billed and sung in English at the {…}