The production history of Jacques Offenbach’s “La Princesse de Trébizonde” is convoluted to say the least. It premiered twice, once in Baden-Baden and once at the Bouffes-Parisiens in 1869. In between both versions, it was reworked extensively; pastiches from the unpublished “La Baguette” were removed and Offenbach wrote a whole new act in a bid to align the narrative of {…}