Iréne Theorin has canceled the opening night performance of “La Gioconda” on April 1, 2019 at the Gran Teatre del Liceu. The Liceu press office announced that due to illness Theorin would not be able to sing the opening night. As a result, Anna Pirozzi will open the production in the title role making her role debut. Due to the cast {…}
Ponchielli’s “La Gioconda” is one of the staples of the dramatic soprano repertoire and is considered one of the most difficult roles in the repertoire. It is also a difficult opera to present on stage and for that reason throughout the past years it has increasingly become a rarity in the standard repertoire. Now, 14 years after its last presentation, {…}
OperaVision will start streaming La Monnaie’s production of “La Gioconda” on Feb. 12, 2019. Béatrice Uria-Monzon headlines in the title role while Silvia Tro Santafé takes on Laura. Franco Vassallo is Barnaba and Ning Liang is La Cieca. Finally, Jean Teitgen is Alvise. Stefano La Colla is Enzo. The stream kicks off at 7 p.m. local time. That’s around 1 p.m. {…}
It’s a big return for María José Montiel. The Spanish mezzo-soprano, who is recognized throughout Spain, has forged a career in opera, recitals, and concerts and has become one of the country’s most acclaimed classical singers of her generations. But rarely has she traversed the Atlantic to perform in the United States. Her last appearances in the States have been {…}
Amilcare Ponchielli, born on August 31, 1834, was a compositional child prodigy. He was born in Paderno Fasolaro and was admitted to the Milan Conservatory at age nine on a scholarship he earned. By the age of 10 he already written his first symphony and a few years after leaving the conservatory, he wrote his first opera. His second work, {…}
Amilcare Ponchielli’s “La Gioconda,” which had its world premiere on April 8, 1876, has never been a major staple of the repertoire. In the mid-1900s, the work, which was written by Arrigo Boito, was a vehicle for star sopranos and tenors due to its expansive arias and endlessly melodic passages. But in recent years, the work has garnered less interest {…}
Victor Hugo, born on Feb. 26, 1802, was one of the great French writers of the 19th century. Many know him as the author of “Les Miserables,” which was then adapted to the famed musical. Or others might recognize his work “Notre Dame de Paris,” in its English title “The Hunchback of Notre Dame.” He is well-noted for the populism {…}
Arrigo Boito, born on Feb. 24, 1842, has marked his space in the opera world mainly through his opera “Mefistofele.” He didn’t get a chance to create much other music, his final work, “Nerone,” never coming to full fruition. But he did leave his mark in other major ways. Here is a look at his most famous works, outside of {…}
Amilcare Ponchielli was unfortunate in being born after his time had passed. Although recognized as a talented composer, he developed a reputation for composing music which always appeared to be a little dated, with the result that his operas have now largely been forgotten and rarely performed, eclipsed by the greater talent of Verdi, and that of his pupils at {…}
Amilcare Ponchielli, born on August 31, will always be remembered for one work of opera – “La Gioconda.” And some might add that not even these days the opera is as popular as to give him sufficient clout as one of opera’s legendary composers. In reality, the composer’s famous work has lost its status in recent years, and by extension, {…}
When you look at the body of work of the great tenor Franco Corelli, you might well imagine that Ponchielli’s “La Gioconda” to be a prominent role in his repertoire. The tenor role of Enzo is substantial and his dramatic weight is suitable to Corelli’s vocal talents. And you would be right, to a certain extent. But the tenor, whose {…}
