(Photo: Philippe Matsas) On May 12th, the Kammermusiksaal of the Berliner Philharmonie witnessed a gripping concert performance of Händel’s “Tamerlano,” with a refined ensemble of soloists, supported by the Freiburger Barockorchester under the direction of René Jacobs. In an era where Baroque opera is often presented with elaborate visual stagings, one might ask: what can the concert format still achieve, {…}