(Credit: Neda Navaee) Étude Arts has announced that conductor Jordan de Souza has joined its artist roster for general management. Last year, the Canadian maestro was appointed to be the General Music Director of the Theater Dortmund and the Chief Conductor of the Dortmund Philharmoniker for five years. “A varied and dynamic schedule with many of the world’s great opera {…}
Canadian conductor Jordan De Souza has been appointed as the General Music Director of the City of Dortmund, Germany. He will be responsible for the Opera and the Symphony Orchestra, the Dortmunder Philharmoniker. De Souza has conducted many major opera companies worldwide, including the Lyric Opera of Chicago, Glyndebourne, Bayerische Staatsoper, Deutsche Oper Berlin, Seattle Opera, and Dutch National Opera. {…}
Photo credit: © Glyndebourne Productions Ltd. “La bohème”, as the archetypal verismo opera, tends to resist stagings that take it much beyond the confines of nineteenth-century Paris, and indeed non-naturalistic approaches to the work. (Audiences tend to resist them too.) The two most successful in London recently have been John Copley’s recently retired version at the Royal Opera House – {…}
Komische Oper Berlin has announced its 2019-20 season. This season will celebrate Dionysus, the forefather and protagonist of Greek theatre, with new productions reflecting the entire spectrum of musical theatre. Chief Director Barrie Kosky comments, “. . . [O]nce we believe in the power of theatre and music, believe in their intoxicating, seductive, physical, emotional, and ultimately community-building impacts, once {…}
The Komische Oper in Berlin has soared in reputation under the leadership of Barrie Kosky for its innovative programming. It is regarded as the destination in town for rarely-performed opera works. Scheduling an opera trip in Berlin is full of challenges and my maiden journey to the Komische was for the altogether familiar “Eugene Onegin” by Tchaikovsky on Saturday night {…}