The Metropolitan Opera has announced a cast change for its performance of “Madama Butterfly” on April 26, 2024. Jonathan Tetelman withdrew from the performance and took to social media and said, “I’m very sorry to report that I am still unwell and must withdraw from my ‘Madama Butterfly’ appearance at the Met Opera tonight. I’m greatly looking forward to returning {…}
The Berlin Philharmonic has announced its 2024-25 season. Here is a look at the vocal performances. Jonathan Nott conducts pianist Pierre-Laurent Aimard and the Ernst Senff Chor Berlin choir in works by Missy Mazzoli, Peter Eötvös, and Charles Ives. Performance Dates: Sept. 7 & 8, 2024 Jakub Józef Orliński is joined by Aleksander Dębicz, Wojciech Gumiński, Marcin Ułanowski, and Mateusz {…}
(© Photo: Ben Wolf) Chilean-American tenor Jonathan Tetelman released his second Deutsche Grammophon album “The Great Puccini,” and made his Metropolitan Opera debut just over six months apart. He spoke with OperaWire about his recent success and the power of Puccini. Tetelman made his Met debut in the role of Ruggero in “La Rondine,” and will be returning as Pinkerton {…}
The Deustche Oper Berlin has announced its 2024-25 season. Premieres Respighi’s “La Fiamma” will be directed by Christof Loy and conducted by Carlo Rizzi. The cast will include Aušrine Stundyte, Georgy Vasiliev, Vladislav Sulimsky, Martina Serafin, Sua Jo, Cristina Toledo, Martina Baroni, Karis Tucker, Caren Van Oijen, Doris Soffel, and Patrick Guetti. Performance Dates: Sept. 29-Oct. 18, 2024 Enrique Mazzola {…}
(Credit: Karen Almond / Met Opera) The Metropolitan Opera is set to present Puccini’s “La Rondine” in Live in HD. The opera will be transmitted live on April 20, at 12:55 p.m. ET and will star soprano Angel Blue as Magda and tenor Jonathan Tetelman as Ruggero. They will be joined by soprano Emily Pogorelc and tenor Bekhzod Davronov as well as {…}
The 2024 Manetti Shrem Opera Prizewinners have been announced, revealing soprano Pretty Yende and tenor Jonathan Tetelman as the 2024 recipients. The prize is awarded annually to two extraordinary rising stars in the opera world and was created through a generous gift from Jan Shrem and Maria Manetti Shrem as part of the multifaceted Manetti Shrem Opera Program at Festival {…}
It’s been 10 years since Puccini’s “La Rondine” has been performed at the Metropolitan Opera. The work is a light Puccini opera that is sometimes compared to an operetta and has been performed a total of 34 times at the famed house. In the past, it has often been brought to the company at the behest of a Diva who {…}
(Credit: Ken Howard/Metropolitan Opera) The Metropolitan Opera is set to present Puccini’s “La Rondine” for eight performances. The opera, which opens on March 26 will star Angel Blue and Jonathan Tetelman in his Met debut They will be joined by Emily Pogorelc and Bekhzod Davronov as Lisette and Prunier and Maestro Speranza Scappucci will conduct. The opera will be presented for {…}
The Baden-Baden Festival has announced its 2024-25 season. Here are the vocal performances. Mark Elder conducts Richard Wagner’s “Parsifal,” Prelude and Good Friday Music, and “Tristan und Isolde,” Act two. The concert will include soloists Jonas Kaufmann, Camilla Nylund, Sasha Cooke, Christof Fischesser, and Todd Boyce. Performance Date: August 25, 2024 Le Grand Gare Festival The Singfest with members of the {…}
The LA Opera has announced its 2024-25 season. Here is a look at the entire season. Mainstage Karah Son sings the title role in Puccini’s “Madama Butterfly” with Jonathan Tetelman, Hyona Kim, and Michael Sumuel also starring. James Conlon conducts the production by Mario Gas. Performance Dates: Sept. 21-Oct. 13 2024 Gounod’s “Roméo et Juliette” returns for the first time {…}
“Oh my!” is how one would headline, exasperatingly, the sordid, crude, and entirely inappropriate production of “Tosca” at Vienna’s Theater an der Wien. Severed limbs, some sort of nuclear winter, and an orgy of on-stage violence and sex – the premises to Martin Kušej’s vision of the Puccini melodrama could not be more grotesque and, in essence, detrimental to the {…}