(Photo credit: Robert Torres) Sometimes we ought to live and let die twice in a night—or, perhaps, let die and then live twice? The Handel and Haydn Society’s (H+H) program is, in many ways, logical: Michael Haydn’s “Requiem” and then Mozart’s. There is much kinship between the pieces; however, even for the most skeptical of critics, it is hard to {…}
The London Handel Festival has appointed its first-ever Principal Ensemble in Residence and Artistic Adviser. The company said that beginning in 2025, the ensemble Arcangelo will take up residence at the London Handel Festival and Jonathan Cohen will join as Artistic Adviser. As Principal Ensemble in Residence, Arcangelo will be integral to the Festival’s artistic identity and will perform several {…}
The Handel and Haydn Society is set to celebrate the holiday season with performances of Händel’s “Messiah” at Symphony Hall. The performances are set to take place on Nov. 24, 25, and 26 with newly appointed Artistic Director Jonathan Cohen leading the H+H Orchestra and Chorus. The performances will mark Cohen’s first time conducting “Messiah” with H+H and he noted, {…}
The vocal music scene in Boston is not bad, but it is far from vibrant. Vocalists do the best they can. But there are few operas, especially for a city that has a big-five orchestra. This is one of the reasons why Handel and Haydn Society’s “Israel in Egypt” was a highly anticipated event. In his first performance as artistic {…}