© Glyndebourne Productions Ltd. Photo: Richard Hubert Smith Trigger warning: Mozart aficionados, look away now. One might think Wolfgang Amadeus to be somewhat overrated, and the fact that he was hugely prolific, widely acknowledged to be a prodigy and is almost globally asserted to have been a genius, does little by way of endearing his music to my ear. I {…}
Glyndebourne has unveiled its fall 2023 slate. Here is a rundown of the opera and vocal performances. First up is “L’Elisir d’amore.” The opera wills tar Mariam Battistelli, Filipe Manu, Theodore Platt, and Tiziano Bracci. Adam Hickox conducts the production, which will be directed by Annabel Arden. Performance Dates: Nov. 11 – Dec. 1, 2023 Also on the slate is “Don {…}
(Photo: Birgit Gufler) As many countries around the world lose contact with their national histories, Russia still allows its long tentacles to press forward into the present. Its distinctive institutions, including the political and the religious, as well as its artistic, musical, literary and traditional folk cultures have, deliberately or otherwise, maintained close connections with their historical roots, making them {…}
Photo credit: © Glyndebourne Productions Ltd. “La bohème”, as the archetypal verismo opera, tends to resist stagings that take it much beyond the confines of nineteenth-century Paris, and indeed non-naturalistic approaches to the work. (Audiences tend to resist them too.) The two most successful in London recently have been John Copley’s recently retired version at the Royal Opera House – {…}
