The score of Gordon Getty’s “Goodbye, Mr. Chips” breathes all the unpretentiously sweet melancholy of its many predecessors – from James Hilton’s 1933 novella of the same title to subsequent adaptations as, among others, radio plays and lavishly cast movie musicals. Yet it is not exactly the feel-good opera advertised in Pentatone’s press release; rather, the eponymous Mr. Chips – {…}