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Fabio Massimo Iaquone

Apr 18, 2025

Teatro Municipale di Piacenza 2025 Review: The Magic Flute

(Photo Credit: ©Gianni Cravedi) Emanuel Schikaneder, a prolific stage comedian, singer, and skilled impresario, proposed to Mozart the creation of a new singspiel–a form of German musical theater that alternates spoken dialogue without musical accompaniment–in response to the enduring hegemony of Italian opera, which had long dominated European stages. The entrepreneur’s brilliant insight, as highlighted by Mattia Marino Merlo in {…}

Apr 18, 2024

Teatro Comunale di Ferrara 2024 Review: Orlando Furioso

Photo credit: Marco Caselli Nirmal Vivaldi’s “Orlando Furioso” is a work that represents baroque opera at its most exciting. Set on Alcina’s magical island, where the weird and wonderful are commonplace, it opens up the possibility for colorful and spectacular stagings with shipwrecks, fantastical beasts, monsters and statues that come to life. There are high mountains, wooded groves, steep cliffs {…}

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