(Photo credit: Monika Rittershaus) Who’s afraid of double bills? We all love “Cav.” and “Pag.,” and there is some room in everyone’s heart for a “The Human Voice” meets “Bluebeard’s Castle;” nevertheless, Gluck’s Iphigenia operas performed together was a bit of a challenge. The operas, lasting two hours each, are easily stand-alone pieces, and—even though they share a protagonist—they appear {…}
The Opernhaus Zürich presents a new production of a French Baroque masterpiece: “Platée,” a ballet-bouffon composed by Jean-Philippe Rameau in 1745. The premiere took place in Versailles as part of the festivities for the wedding of Louis XV with María Teresa Rafaela of Spain. The libretto, by Adrien-Joseph Le Valois d’Orville, draws inspiration from Greek mythology. It narrates the tale {…}
(Photo: Monika Rittershaus) Elites within society are nothing new. However, over the latter part of the 20th century and the first quarter of the 21st century, we have witnessed the emergence of an increasingly powerful elite who possess significant global interests yet apparently display little attachment to any specific country. It is an elite that is accumulating wealth and income {…}
Philharmonie Luxembourg has announced its 15th anniversary season. For the purposes of this article, we will focus on vocal performances. The 2019-20 season will kick off with Esa-Pekka Salonen conducting the Philharmonia Orchestra. Soprano Rebecca Nelsen will be featured vocally. The program will include Berg’s “Lulu” Suite and Mahler’s Symphony No. 9. Performance Date: Oct. 3, 2019 William Christie will lead {…}
Rolando Villazón has redefined his tenor career various times moving from heavier lyrical work to Mozart and this week he continues to explore early music in Monteverdi’s “Il Ritorno d’Ulisse” at the Theatre de Champs Elysse. Villazón will make his role debut as Ulisse in a new production by Mariame Clément. The Mexican tenor has recently been exploring the work of {…}