(Photo: ©2025 Camilla Greenwell) I have been somewhat critical in the past of Adele Thomas’ staging of one of Verdi’s most potent works. With its painfully dark tale told in a rather insidious manner, employing the use of creepy props and actors infused with more than a generous helping of Hieronymus Bosch influence; alas, perplexingly, this time round it kind {…}