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Emma Woods

Mar 5, 2025

Royal Ballet and Opera 2025 Review: Il Trovatore



(Photo: ©2025 Camilla Greenwell) I have been somewhat critical in the past of Adele Thomas’ staging of one of Verdi’s most potent works. With its painfully dark tale told in a rather insidious manner, employing the use of creepy props and actors infused with more than a generous helping of Hieronymus Bosch influence; alas, perplexingly, this time round it kind {…}

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