Every Friday, Polina Lyapustina delivers a short essay on some of the most essential topics in the industry with the intent of establishing a dialogue about the opera world and its future. This year, the most active and fanciest part of an opera season revolved around the opening. The theatres didn’t want to take many risks, so they put on the loudest {…}
(Photo: Kari Shea) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. Almost five years ago, working on a social news media product concept, I wrote: “It starts with a whisper…” I remember, this single phrase won {…}
(Photo: Jon Tyson) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. This week, I tried to flee from the grave feelings I experienced last week working on my piece about the situation with the Met Orchestra {…}
(Photo: Dmitry Lyapustin) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The way you enter the New Year sets the tone for the whole year ahead, the old superstition said. And I wonder whether we should {…}
(Photo: Danielle Macinnes) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s editors. The opera industry was having {…}
(Photo: Im4theArts) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s editors. Today I watched numerous videos of {…}
(Photo: David Beale) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s editors. With the end of the {…}
(Photo: Hasan Almasi) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s editors. “Through the stories we tell {…}
Photo by Daniel Thiele Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s editors. Last week, a €1.8 trillion {…}
(Art by Zuleyka V. Benitez, used with permission from Haymarket Opera Company) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted {…}
(Photos from protests in Bologna by soprano Federica Vitali) Every Friday, Polina Lyapustina delivers a short essay on some of the most sensitive topics in the industry with the intent of establishing a dialogue about the opera world and its future. The choice of topics discussed, how they are researched, and how they are portrayed is conducted independently of OperaWire’s {…}