Teatro alla Scala 2024-25 Review: La Cenerentola
(Credits: Brescia e Amisano) Just days before the premiere of his new opera, Gioachino Rossini – true to his habits and to the conventions of his time – chose to speed up the process. For the Sinfonia (overture), he reused one he had written a year earlier for “La Gazzetta,” while for the protagonist’s final rondò, he adapted a fragment {…}
