Sligo Baroque Festival 2025 Review: Viva Vivaldi!

(Photo: Donal Hackett) Following a busy weekend of events that included recitals, concerts, a workshop and an opera, the Sligo Baroque Festival concluded with a concert dedicated to the music of Vivaldi at the city’s Cathedral of the Immaculate Conception in front of a packed audience. Entitled “Viva Vivaldi!,” the program included a number of orchestral and vocal works by the composer that culminated with a performance of his Gloria RV589. Dani {…}

Q & A: Mezzo-Soprano Sarah Richmond on Her Forthcoming Role as Olga for Northern Ireland Opera

(Photo: Ross Kavanagh) This September, Northern Ireland Opera premieres its new production of Tchaikovsky’s “Eugene Onegin”, with its quality cast members directed by Cameron Menzies, and conducted by Dominic Limburg. This production looks certain to be another hit with local audiences, following its sell-out productions of “La Traviata” and “Tosca.” OperaWire met up with one of its stars, mezzo-soprano Sarah {…}

Irish National Opera 2023-24 Review: L’Olimpiade

(Photo: Ros Kavanagh) Intricate and convoluted plots are not exactly rare in operas of the 17th and 18th centuries. Usually revolving around mistaken identities, complex love triangles, misunderstandings and deliberate deceptions that precipitate extreme emotions, their narratives career forward, plunging the protagonists into life-threatening and life-changing situations in which the gods, heroes and mythical characters often play their part. Vivaldi’s {…}

Q & A: Soprano Rachel Redmond on Her Forthcoming Role as Aminta in Vivaldi’s ‘L’Olimpiade’

(Photo: Christopher Wallace) In 2021, OperaWire reviewed a splendid concert presentation of Handel’s “Ariodante” at the Göttingen Handel Festival. With a strong cast, which included star names such as Marie Lys and Emily Fons. Quality performances were certainly expected, and they did not disappoint. However, it was soprano Rachel Redmond, whom I had previously never heard sing, in the role {…}