Interview: Why The Merola Opera Program Continues To Develop Into One of the Best In the World
It was 1957 and opera was in the midst of a golden age of singing. Kurt Herbert Adler, the second general director in San Francisco Opera’s history, knew that for opera to continue, young talent needed to be fostered and grown. So he sought out the help of tenor James H. Schwabacher Jr., San Francisco Opera’s production coordinator Matthew Farruggio, {…}