Anna Netrebko’s July 21 Berlin performance has been postponed to July 22, 2025 due to bad weather. The soprano’s management released a statement noting, “Tonight’s concert at the Classic Open Air at Gendarmenmark in Berlin is unfortunately postponed due to severe weather conditions. We are happy to report that it will take place tomorrow evening: same artists, same place, same {…}
Peter Gelb isn’t backing away from his fight with soprano Anna Netrebko. The Metropolitan Opera General Manager, who is currently on a media blitz, told Der Standard that the soprano was insincere in her statement against the war. He told the media outlet, “In my view, she condemned the war purely out of expediency and only after the Met had {…}
On July 19, the Teatro Real will broadcast the iconic Willy Decker production of “La Traviata,” marking 20 years since the production premiered. When it opened in 2005, it became an instant classic for its modern, minimalist approach and its stark staging focusing on the three main characters. The production also emphasized time and Violetta’s impending death through a large {…}
Peter Gelb is claiming that Anna Netrebko had contact with the Kremlin back in 2022 before getting fired from the Metropolitan Opera. While on his trip to Ukraine, the Met’s General Manager was interviewed by the Ukrainian Press and was asked about the pending lawsuit against the Met and himself. He said he would not compromise or settle and said, {…}
The Wiener Staatsoper has announced the Film Festival on Vienna’s Rathausplatz. The company will present operas on 10 Sunday evenings at the Haus am Ring. Here is a look at the program: The festival opens with Puccini’s “La bohème” from 2022 featuring Vittorio Grigolo, Anna Netrebko, Günther Groissböck, and Nina Minasyan. Date: June 29, 2025 Donizetti’s “L’elisir d’amore” from 2022 features {…}
Anna Netrebko has withdrawn from her two performances of “Aida” on August 10 and 17 at the Arena di Verona. The soprano said, “I sincerely regret the inconvenience this may cause audience members who had planned to hear me reprise my role in this wonderful Stefano Poda production. I look forward to my three performances in Nabucco next month, which will {…}
On June 21, numerous public radio stations in the United States are set to broadcast the Teatro alla Scala’s production of “La Forza del Destino.” The opera will be broadcast at 1 p.m. and will feature Riccardo Chailly conducting Verdi’s masterwork. The cast is led by Ana Netrebko, Brian Jagde, Ludovic Tézier, Alexander Vinogradov, Marco Filippo Romano, and Vasilisa Berzhansaya. {…}
The Teatro San Carlo has announced its 2025-26 season. The season opens with Riccardo Frizza conducting Cherubini’s “Medea” in a production by Mario Martone. Sondra Radvanovsky stars in the title role alongside Francesco Meli, Giorgi Manoshvili, Désirée Giove, and Anita Rachvelishvili. Performance Dates: Dec. 3-16, 2025 Jessica Pratt, Maria Agresta, Désirée Giove, Francesco Demuro, and Mimmo Borrelli star in Ennio {…}
(Credit: Vladimir Shirokov) The Wiener Staatsoper has announced that it will stream Tchaikovsky’s “The Queen of Spades” on June 27, 2025. The production by Vera Nemirova will be conducted by Timur Zangiev and will star Anna Netrebko in her role debut as Lisa. She will be accompanied by Yusif Eyvazov in his signature role as Hermann. The cast will also {…}
The Teatro alla Scala has announced its 2025-26 season. The season opens with Shostakovich’s “Lady Macbeth of Mtsensk,” featuring Alexander Roslavets, Sara Jakubiak, Najmiddin Mavlyanov, Alexander Kravets, Valery Gilmanov, Yevgeny Akimov, Jirí Rajniš, Oleg Budaratskiy, Ekaterina Sannikova, Goderedzi Janelidze, Elena Maximova, Natalya Romaniw, Huanhong Li, and Vasyl Solodkyy. Riccardo Chailly conducts the new production by Vasily Barkhatov. Performance Dates: Dec. {…}
(Credit: Matthias Baus) My first glimpse of Anna Netrebko was in a performance of Donizetti. She was beautiful, bright, and dynamic — singing while darting around the stage and even somersaulting onto a couch. Here was an opera singer who, in one moment, ended the notion that operatic divas are just singing pieces of furniture. At the Staatsoper Unter den {…}