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amalia avilan

Jun 14, 2017

Ópera de Colombia 2017 Review – Orphée et Eurydice: Amalia Avilán, Paola Gardina Make Strong Case for Colombia’s Operatic Potential

Gluck’s “Orphée et Eurydice” in many ways can be summed up by the movement of the four seasons – the bloom and beauty of love dashed away by the winter of death, only for spring to bloom yet again in a rebirth of the protagonists. At the Teatro Mayor Julio Santo Domingo, the Ópera de Colombia and Teatro Mayor Julio {…}

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